зеркало из https://github.com/mozilla/murmur.git
5125 строки
90 KiB
Plaintext
5125 строки
90 KiB
Plaintext
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Don't tell me you didn't know it was loaded.
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When you start to eat like this something is the matter.
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He's the only husband I've got.
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I don't know how to explain it.
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I'm just too miserable.
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It is infuriating that your unhappiness does not turn to fat!
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But why do you want a divorce?
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Because I don't love him.
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But that is no reason to get a divorce!
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Does this belong to you?
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He was throwing snowballs at Baron Rothschild.
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I'm afraid I already know a great many people.
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Until one of them dies I couldn't possibly meet anyone else.
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I have never seen a Rothschild before.
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I'm afraid you're blocking my view.
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Which view would you like?
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The one you're blocking.
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Is there a Mr. Lampert?
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I'm getting a divorce.
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Like when you go into a drugstore.
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Is there a Mrs. Joshua?
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Is your husband with you?
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I'm also going back to Paris today.
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Shakespeare never said that.
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How do you know?
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Are you going to call me?
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Are you in the book?
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Is there only one Charles Lampert?
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Don't you want me to stay?
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I am Inspector Edouard Grandpierre of the Police Judiciaire.
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He was dressed only in his pajamas.
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He didn't have one.
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He was a wealthy man?
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About how wealthy would you say?
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Where did he keep his money?
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It is all right.
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Is it all right?
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I wish you wouldn't.
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One million two hundred and fifty thousand New Francs.
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The authorities in Bordeaux have searched his compartment on the train.
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They have searched it thoroughly.
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There was no other baggage.
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Your husband must have been in a great hurry.
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Perhaps he met somebody.
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May I see it?
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"My dear Regina: I hope you are enjoying your holiday.
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Megeve can be so lovely this time of year.
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Your dentist called yesterday.
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Your appointment has been changed.
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Can I go now?
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Is this your husband's passport?
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Of course it is.
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It's all right if you want to smoke your cigar now.
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What are you doing here?
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I phoned but nobody answered.
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How did you find out?
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It's in all the afternoon papers.
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I rang the bell but I don't think it's working.
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They must have turned off the electricity.
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Where did everything go?
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Do you know what you're going to do?
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That's what I did before I married Charles.
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The police probably think I killed him.
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Instant divorce you mean?
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You can't stay here.
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I don't know where to go.
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We'll find you a hotel.
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Didn't Charles have any friends?
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If Charles had died in bed we wouldn't even have him.
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At least he knows how to behave at funerals.
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Have you no idea who could have done it?
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Do you know him?
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I've never seen him before.
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He must have known Charles pretty well.
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How can you tell?
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He's allergic to him.
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Who is it from?
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What is it about?
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What's so depressing about that?
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Do you know what C.I.A.
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You mean spies and things like that?
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Only we call them agents.
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Your husband was wanted by the U.
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So that was it.
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Stop calling me that!
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Lampert's the name on the marriage license.
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Have a good look.
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Does the name Tex Penthollow mean anything to you?
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Why should I be in any danger?
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You haven't told me.
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I'd love to see you try and convince them of that!
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Then whose is it?
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And I'm afraid we want it back.
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But I don't have it.
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You're the only one who could have it.
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I'm sorry it's impossible.
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You may not have a great deal of time.
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You won't be safe until the money's in our hands.
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It's a direct line to both my office and my apartment.
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It could prove fatal for them as well as yourself.
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Because they're still here.
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Remember what happened to Charles.
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You telephoned me to meet you.
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Don't you understand French?
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I'm still having trouble with English.
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Who's that with the hat?
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What's she saying now?
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I thought he was dead.
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Somebody threw him off a train.
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What am I going to do?
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I wish you'd let me help you.
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Have you got a mirror?
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Give it to me.
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What was all that?
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Evidently we're the floorshow.
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You mean you and me?
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What do you want?
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I don't know anything.
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Can you hear me?
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What are you doing?
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It could get a whole lot worse.
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What are you doing in here?
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Having a nervous breakdown.
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I don't think I follow you.
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That's what I'm not supposed to say.
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Being murdered in cold blood isn't nonsense.
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Wait until it happens to you sometime.
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Would you mind seeing me to the door?
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What your husband was mixed up in.
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On the street where you live.
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How about once more around the park?
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How would you like a spanking?
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How would you like a punch in the nose?
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Stop treating me like a child.
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Then stop acting like one.
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Do you know what's wrong with you?
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I think I sprained my pride.
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I'll be back in a minute.
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The girl trusts me.
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But you've got to leave me alone.
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We took all the chances.
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He took care of Charlie for us.
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But who asked him?
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Who's got the room next to hers?
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I'm going to need it.
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There was no trace of him.
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A quarter of a million dollars.
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So they think he left it with you.
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I'm so hungry I could faint.
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Promise you'll never lie the way Charles did.
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Why do people have to tell lies?
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Do you tell lies?
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The man you had the fight with.
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Is Dyle with you?
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He's after the money.
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I wouldn't take that too seriously.
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I believe what he said.
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How do you know what they're doing?
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What are you talking about?
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You mustn't let what he said bother you.
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It was only words.
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Words can hurt very much.
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Don't put yourself out.
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I'll be next door.
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Do you know Les Halles?
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Je ne comprends rien.
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I really did it quite brilliantly.
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I'm beginning to think women make the best spies.
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He's hardly my Mr. Dyle.
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That's not Carson Dyle.
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You mean you've known about him all along?
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Why didn't you tell me?
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I didn't see any point.
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They always do that.
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Can I at least keep the onion soup?
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La soupe tout simplement.
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What's wrong with that one?
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Have you any idea what these things cost over here?
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Carson was dying so they were forced to leave him.
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Only Charles couldn't wait quite as long as the others.
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But what has all this got to do with the C.I.O.?
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We're an extension of the wartime O.S.S.
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It was our money and we want it back.
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Your government is counting on you.
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What do you want me to do?
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Maybe he really is Dyle.
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He could still be alive.
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But no one actually saw him die.
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His death is registered with the War Department in Washington.
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Then who's this one?
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When did you arrive in town?
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Are you enjoying Paris?
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If you don't stop following me I'll call the police.
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It's the only name I've got.
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What do you want to know?
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Why you lied to me.
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Carson Dyle is dead.
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He was my brother.
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I'm trying to prove it.
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They think I'm working with them.
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Aren't you going to tell me?
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You'll wreck your raincoat.
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I said with the mouth shut.
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Do I knock or something?
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The view had better be worth it.
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And I say maybe you both have it!
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How are you doing?
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How do you think?
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I didn't do it.
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I met a man with sharp nails.
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I left him hanging around the American Express.
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Take off your shirt and lie down.
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It's not so bad.
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Haven't you got a bullet I can bite?
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Are you really Carson Dyle's brother?
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Would you like to see my passport?
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What kind of a proof is that?
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Would you like to see where I was tattooed?
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Is there a Mrs. Dyle?
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I thought that was Peter Joshua.
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I'm no easier to live with than he was.
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There must be some way.
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Why couldn't you just look at his feet?
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Because he's wearing moccasins.
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Why not a lying Blackfoot?
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Which one are you?
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You forget I'm already a widow.
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Why can't you be serious?
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Who told you to do that?
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But I'm not through complaining yet.
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Can you give me one good reason why I should?
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That sounds like their problem.
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I'll be right there.
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What day is it?
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My leg's going to sleep.
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Are you a real cowboy?
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Then where is your gun?
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Will you put that thing away!
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And stop threatening that boy.
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He doesn't have the money.
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Mrs. Lampert doesn't either.
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Listen to the man!
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But he'd have to.
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That's when he'll be safe and not a minute before.
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Then what am I doing here?
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Why don't we search their rooms?
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Then I take it there are no objections.
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We'd better exchange keys.
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Mine's in the door.
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Who gets your vote?
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I'll do Tex and Gideon.
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What should we give him?
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Or do you think it would spoil him?
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Mebbe we'd better call Herman.
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And if it is?
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You sure nuthin's missin'?
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The police have kindly provided us with a list.
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Not unless we're blind.
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You know I'd tell you if I had it.
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Just hurry up and get here.
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I would bury it in the garden.
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I would put it up there!
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Did you find it?
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It is up there!
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He's in my room.
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What is the matter?
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Now who'da done a mean thing like that?
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This ain't my room.
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He really doesn't look so bad.
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And yet you registered in Megeve as Mr. Joshua.
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It's done in America all the time.
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You're a big help.
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Can I have one of those?
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I think Tex did it.
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What's so illogical about that?
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I guess they just can't help it.
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Wouldn't it be nice if we were like that?
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No sense messing up the streets.
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I can't think of any reason why he was killed.
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Any minute now we could be assassinated!
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Would you do anything like that?
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Can I come in?
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I'd like to take a bath.
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Wouldn't it be better if you did it in my room?
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I wouldn't want to use that tub.
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The shower's in there.
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This is a ludicrous situation.
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There must be dozens of men dying to use my shower.
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Then I suggest you call one of them.
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I don't think I know that one.
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What on earth are you doing?
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How often do you go through this little ritual?
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The manufacturer recommends it.
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I don't believe it.
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Are you sure there's no mistake?
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You're probably weak from hunger.
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You've only had five meals today.
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Hurry up and we'll go out.
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Do you mind if we go someplace crowded?
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You don't know who did it.
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Carson Dyle didn't have a brother.
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I can explain if you'll just listen.
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I can't very well leave without a pair of water wings.
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Why don't you shut up!
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Are you going to listen?
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I suppose all this is leading somewhere?
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But that left me without any honest means of support.
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What do you mean?
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I don't even know who I'm talking to any more.
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Alexander Dyle was interested in clearing up his brother's death.
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Adam Canfield is a crook.
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I want to know what it is.
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Look around some time.
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Is there a Mrs. Canfield?
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Now go eat your dinner.
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I could eat a horse.
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Don't you dare to be civil with me!
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How was I leading you on?
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Now it turns out you were only interested in the money.
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You don't look so bad in this light.
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Why do you think I brought you here?
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I taught them everything they do.
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How do you think I got here?
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Aren't you allowed to kiss back?
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Turn on the lights!
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How do you stop this thing?
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In Mr. Dyle's room?
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I think we were wrong about Tex having the money.
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Where's that airlines bag?
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But everyone and his Aunt Lilian's been through that bag.
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Somebody would have seen it.
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If only we could see it.
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We're looking at it right now.
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I'll bet you don't really need those.
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Have we forgotten anything?
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You've got to be at work in the morning.
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There's nothing more we can do tonight.
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Signori Delegati vi ringrazio della vostra attenzione.
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He is not yet old enough to be interested in girls.
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They're recognizing Great Britain.
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We therefore oppose the resolution.
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I think I found something.
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I've stuck it back together.
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"One agenda." It wasn't there.
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I remember Grandpierre looking through it.
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Can you remember anything at all?
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We didn't steal it.
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There's no law against stealing stolen money.
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Of course there is!
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Ten minutes ago I had a job.
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I'd better see what he's up to.
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He's already killed three men.
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The letter ain't worth nuthin'.
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They wuz both too smart for us!
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You killed all three of 'em for nothin'!
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What's he up to?
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He said he had never seen any like them.
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But what's all this?
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I don't see him.
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But he is gone.
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I don't blame him.
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I was expecting you.
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The man who bought them last week was American.
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I did not see him but I heard.
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I knew you would come.
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How much is it worth?
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The money is unimportant.
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I'm afraid it is important.
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Do you mind if I sit down?
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What about the blue one?
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What's its value today?
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Do you have anything to eat?
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And the last one?
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It is the most valuable stamp in the world.
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I knew there was some mistake.
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And don't forget these.
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Thank God you're there!
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You've got to do something!
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Does he have the money?
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Where are you going?
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So you can kill me too?
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He said Dyle did it!
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Don't be an idiot!
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I want those stamps!
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Mais c'est très vite!
|
|
On veut me teur!
|
|
|
|
But that's what they gave me.
|
|
|
|
I can't quite hear you.
|
|
|
|
And my name's Lampert.
|
|
|
|
I'm through listening to you!
|
|
|
|
But I didn't kill anybody.
|
|
|
|
You're the only one left.
|
|
|
|
He's trying to trick you again.
|
|
|
|
Are you going to believe every lie he tells you?
|
|
|
|
Don't be a fool!
|
|
|
|
I don't know who anybody is any more!
|
|
|
|
There's not a reason on earth why you should.
|
|
|
|
They deserved to die!
|
|
|
|
You've got the money.
|
|
It belongs to me now!
|
|
|
|
I need some time to think!
|
|
|
|
Come out of there.
|
|
|
|
He wouldn't dare hit a girl.
|
|
|
|
What a terrible thing to say.
|
|
How could you even think that?
|
|
|
|
What makes you think they're even interested?
|
|
|
|
Crooks don't pay taxes.
|
|
|
|
Whom would I see regarding the return of stolen Government money?
|
|
|
|
Do you mind if I wait out here?
|
|
|
|
You couldn't even be honest about being dishonest.
|
|
Why didn't you say something?
|
|
|
|
We're not allowed to tell.
|
|
|
|
He probably worked it out in advance.
|
|
|
|
Then how do I know this is your office?
|
|
|
|
Starting with his own.
|
|
|
|
What's your first name today?
|
|
|
|
Who asked you to get stuck with any of them?
|
|
|
|
Is there a Mrs. Cruikshank?
|
|
|
|
You'd lie about anything.
|
|
|
|
I didn't say anything.
|
|
Will you give me those stamps?
|
|
|
|
I think somebody stole one of his crown jewels.
|
|
Shall I announce you?
|
|
|
|
I can stand being spoiled a little.
|
|
|
|
I'd like to spoil him just once.
|
|
Sure you don't want me to go in with you?
|
|
|
|
How's "Advice to the Lovelorn"?
|
|
|
|
I'll be a monkey's uncle!
|
|
|
|
My advice is duck and cross with your right.
|
|
|
|
He's on my phone.
|
|
He just called me.
|
|
|
|
They can't do that to me!
|
|
|
|
Give me that call on Duffy's wire!
|
|
Tell him I elected him and I can have him impeached!
|
|
|
|
First I gotta tell him what news to get!
|
|
|
|
I'm City Editor in name only.
|
|
You do all the hiring around here.
|
|
|
|
You won't miss anything.
|
|
|
|
Mind if I sit down?
|
|
|
|
How long is it?
|
|
|
|
How long is what?
|
|
|
|
How long since we've seen each other?
|
|
|
|
Seems like yesterday to me.
|
|
|
|
Maybe it was yesterday.
|
|
Been seeing me in your dreams?
|
|
|
|
You wouldn't know the old girl now.
|
|
|
|
I notice you still remember it.
|
|
|
|
I'll always remember it.
|
|
|
|
It sort of makes a fellow lose faith in himself.
|
|
It almost gives him a feeling he wasn't wanted.
|
|
|
|
It's only a few words mumbled over you by a judge.
|
|
We've got something between us nothing can change.
|
|
|
|
I suppose that's true in a way.
|
|
I often wish you weren't such a stinker.
|
|
|
|
Don't you remember the home I promised you?
|
|
|
|
Was it my fault?
|
|
|
|
You don't deny that.
|
|
|
|
I'm proud of it!
|
|
We beat the whole country on that story.
|
|
|
|
That isn't what I got married for.
|
|
|
|
I haven't any hard feelings.
|
|
|
|
We'll have some lunch and you can tell me everything.
|
|
|
|
I have a lunch date.
|
|
|
|
Don't tell me what to do!
|
|
You're not my husband and you're not my boss!
|
|
|
|
What do you mean by that?
|
|
|
|
Just what I said.
|
|
|
|
You mean you're not coming back to work here?
|
|
|
|
That's the first time you've been right today.
|
|
|
|
You bet I've got a better offer.
|
|
|
|
Work for somebody else!
|
|
|
|
What were you when you came here five years ago?
|
|
A little college girl from a School of Journalism!
|
|
|
|
And so will you.
|
|
|
|
You had to marry me and spoil everything.
|
|
|
|
I suppose I proposed to you!
|
|
|
|
And I still claim I was tight the night I proposed.
|
|
If you'd been a gentleman you'd have forgotten all about it.
|
|
|
|
You're losing your eye.
|
|
You used to be able to pitch better than that.
|
|
|
|
What's the matter with you?
|
|
|
|
You can't do that to me!
|
|
How do you like that?
|
|
|
|
Might just as well be.
|
|
|
|
I don't care whether he did or not.
|
|
Is there no sense of honor left in this country?
|
|
|
|
There's nobody else on the paper who can write!
|
|
|
|
That's what I'm afraid of.
|
|
|
|
Don't do it for me!
|
|
Do it for the paper.
|
|
|
|
What's that other paper going to give you?
|
|
|
|
I'm not working for any other paper!
|
|
|
|
Do you see this?
|
|
Do you know what an engagement ring is?
|
|
|
|
I tried to tell you right away but you started reminiscing.
|
|
|
|
Who says I can't?
|
|
You're a newspaper man.
|
|
|
|
That's why I'm quitting.
|
|
|
|
It would kill you.
|
|
|
|
Where'd you meet this man?
|
|
|
|
Not what you'd call rich.
|
|
Makes about five thousand a year.
|
|
|
|
He's in the insurance business.
|
|
|
|
He forgets the office when he's with me.
|
|
|
|
He's kind and sweet and considerate.
|
|
|
|
By tomorrow they'll be calling me Mrs. Bruce Baldwin.
|
|
|
|
as quick as that?
|
|
|
|
The quicker the better.
|
|
|
|
Too bad I couldn't see this guy first.
|
|
I'm pretty particular about whom my wife marries.
|
|
|
|
Wouldn't do any good.
|
|
|
|
I should say not!
|
|
|
|
Is he as good as you say?
|
|
|
|
Then what does he want with you?
|
|
|
|
Now you got me.
|
|
|
|
I was just asking.
|
|
|
|
And he takes his hat off when he's with a lady.
|
|
|
|
Have Duffy call me in the restaurant in twenty minutes.
|
|
|
|
There must be some mistake.
|
|
|
|
Just leave your card with the boy.
|
|
|
|
Take your card and leave it with him.
|
|
|
|
I've just told you I was busy with Mr. Bruce Baldwin!
|
|
|
|
Then who are you?
|
|
|
|
My name's Pete Davis.
|
|
|
|
A man ought to be prepared for any emergency.
|
|
|
|
Where are we going?
|
|
|
|
Shall I put a little rum in the coffee?
|
|
It's a nasty day.
|
|
|
|
And a glass of milk.
|
|
|
|
Mother is coming with us on the train.
|
|
|
|
But all she really ever wanted was a home.
|
|
|
|
Are you going to live with your mother?
|
|
|
|
Just for the first year.
|
|
|
|
A home with mother.
|
|
|
|
Most people there take it out pretty early in life.
|
|
|
|
I don't blame them.
|
|
|
|
My foot must have slipped.
|
|
|
|
I see what you mean.
|
|
|
|
You've forgotten my milk.
|
|
|
|
I can see that.
|
|
But I sort of like him.
|
|
Got a lot of charm.
|
|
|
|
He comes by it naturally.
|
|
His grandfather was a snake.
|
|
|
|
That's what he did to me.
|
|
|
|
She doesn't know it yet.
|
|
But she'll be there.
|
|
And tell Louie to stick around.
|
|
|
|
But I like it that way.
|
|
|
|
One of my best reporters.
|
|
|
|
They can't even find him.
|
|
|
|
Just what is the lowdown on Williams?
|
|
|
|
Because it happened to be a colored policeman.
|
|
|
|
Especially with an election coming up in a few days.
|
|
|
|
Are you sure Williams is not all there?
|
|
|
|
All you've got to do is talk to him.
|
|
|
|
But couldn't you show the man wasn't responsible?
|
|
|
|
You could run an interview that would prove it.
|
|
Remember the interview I wrote with Jimmy Wellman?
|
|
That saved his life.
|
|
|
|
You could save that poor devil's life.
|
|
|
|
How long would the interview take?
|
|
|
|
Another hour to write it.
|
|
|
|
If it would save a man's life.
|
|
|
|
This is a trick to get your sympathy.
|
|
You're still a good reporter.
|
|
|
|
You see what I had to put up with?
|
|
She never trusted me!
|
|
|
|
How can you have any happiness after that?
|
|
|
|
Haven't you got any feeling?
|
|
|
|
I happen to know Sweeney was married only three months ago.
|
|
|
|
But I'll make you and Bruce a business proposition.
|
|
|
|
You're a smart young man.
|
|
What do you say?
|
|
|
|
And what's the matter with a thousand dollars?
|
|
|
|
How long will it take to get him examined?
|
|
|
|
I could get a company doctor in twenty minutes.
|
|
|
|
You keep out of this.
|
|
|
|
What tricks would I pull?
|
|
|
|
What would be his first payment on that policy?
|
|
|
|
The check will be certified.
|
|
|
|
Have you got that money?
|
|
|
|
I'll get the tickets.
|
|
|
|
I never knew Hildy to be so determined before.
|
|
|
|
You haven't seen anything yet.
|
|
|
|
Is that any good?
|
|
|
|
It sure looks good from here.
|
|
|
|
Are there any other questions?
|
|
|
|
Now I want to ask you fellows a couple of questions.
|
|
|
|
It's a simple story.
|
|
Earl Williams works for the E.J.
|
|
McClosky Manufacturing Company as a bookkeeper for fourteen years.
|
|
|
|
He gets scared and goes into hiding.
|
|
|
|
That's all I want to know.
|
|
|
|
Get me Walter Burns.
|
|
|
|
Thought I might be hearing from you.
|
|
What have you got to report?
|
|
|
|
How do you expect me to get any work done?
|
|
|
|
I'm in the pink of condition.
|
|
They found two new dimples.
|
|
|
|
How about that check?
|
|
|
|
Right back at you.
|
|
|
|
You fight it cut.
|
|
|
|
And up a dime.
|
|
|
|
Got anything new on the hanging?
|
|
|
|
Why don't you fellows get your own news?
|
|
|
|
I'm going into business for myself.
|
|
|
|
I'm getting married tomorrow.
|
|
|
|
I just saw the Sheriff.
|
|
The execution is set for seven in the morning.
|
|
Get me a rewrite man.
|
|
|
|
That must be the tenth alienist they've had on Williams.
|
|
|
|
This Egelhoffer's pretty good.
|
|
|
|
What did he ever do for his country?
|
|
|
|
It created a sensation!
|
|
|
|
More slop on the hanging.
|
|
|
|
I know he wrote 'em on account of the misspellings.
|
|
|
|
I learned that at my grandma's knee.
|
|
|
|
That's why I keep losing.
|
|
|
|
This makes me feel funny.
|
|
|
|
Why shouldn't I make Hildy my beneficiary?
|
|
I've got nobody else to leave it to.
|
|
|
|
I feel I ought to take care of her.
|
|
|
|
I'm beginning to realize that.
|
|
|
|
I'm afraid Hildy'd feel ashamed to think she hadn't trusted you.
|
|
|
|
That's all I ask.
|
|
|
|
Might start to rain again.
|
|
|
|
I'll phone Hildy right away to get that story.
|
|
|
|
I should thank you.
|
|
|
|
I don't know why you boys are so good to me.
|
|
|
|
I'm playing for keeps.
|
|
|
|
I wish they'd stop that practicing.
|
|
|
|
Have you got it?
|
|
|
|
That brings you good luck for ten years.
|
|
|
|
Where'd you get it?
|
|
|
|
And here's a kiss for you.
|
|
|
|
What are you doing around here?
|
|
|
|
How about a little service?
|
|
|
|
I think it is.
|
|
|
|
This guy stole my watch.
|
|
|
|
I haven't any watch.
|
|
|
|
He put it in his back pocket.
|
|
|
|
I never saw it before.
|
|
|
|
You didn't mean to kill that policeman?
|
|
|
|
They know it was an accident.
|
|
|
|
I believe in the Golden Rule.
|
|
I'm not the first man to die for preaching it.
|
|
|
|
It's the only answer.
|
|
Doesn't that make sense?
|
|
|
|
Is that how you came to shoot the policeman?
|
|
|
|
She's a wonderful person.
|
|
|
|
How'd you get in here?
|
|
|
|
Same way you did.
|
|
|
|
I'm not afraid of anything.
|
|
What were you going to write about Williams?
|
|
|
|
How are you feeling?
|
|
|
|
He ought to be here any minute.
|
|
|
|
I'm leaving town tonight.
|
|
|
|
You ought to stay over.
|
|
|
|
I've got to get started on my interview.
|
|
|
|
Don't forget about production for use.
|
|
|
|
Who's this guy she's gonna marry?
|
|
|
|
I give that marriage six months.
|
|
|
|
Like an old fire horse.
|
|
|
|
She says she's gonna write fiction.
|
|
|
|
I'll give ten to five that marriage won't last six months.
|
|
Hildy's a newspaper man.
|
|
|
|
What do you want done with them tomorrow morning?
|
|
|
|
Keep your shirt on.
|
|
|
|
Wasn't that a swell story we gave you?
|
|
|
|
Everybody knows you're his sweetheart.
|
|
|
|
And never once laid a hand on me.
|
|
|
|
I'm everything the District Attorney said I was.
|
|
I told the truth and the District Attorney knows it!
|
|
|
|
Go into your dance!
|
|
This is the Press Room.
|
|
|
|
A poor little fellow that never meant nobody no harm!
|
|
|
|
This is no place for you.
|
|
|
|
They can't help themselves.
|
|
|
|
It was the devil!
|
|
|
|
You guys wanna play some more poker?
|
|
|
|
I can't win a pot.
|
|
|
|
She just stepped out.
|
|
She'll be back in a second.
|
|
|
|
Gentlemen of the Press!
|
|
|
|
Lioness Rushes to Defense of Cub.
|
|
|
|
I told you Baldwin was in trouble.
|
|
|
|
I still give that marriage six months.
|
|
|
|
How about that favor?
|
|
It won't hurt you and we can make the City Edition.
|
|
|
|
I'm not afraid of any newspapers.
|
|
Want me to hang williams at their convenience!
|
|
|
|
They're always after me for interviews.
|
|
|
|
We'll have to satisfy them.
|
|
What would you say to giving them a joint interview?
|
|
|
|
That might be all right.
|
|
|
|
The publicity's the main thing.
|
|
|
|
I forgot you were here.
|
|
|
|
Who do you feel is responsible for that?
|
|
|
|
I'm dying for what I believe.
|
|
|
|
I didn't do anything.
|
|
|
|
I never stole a watch in my life.
|
|
|
|
He's accused of stealing a watch.
|
|
And they found the watch on him.
|
|
|
|
And who accused him?
|
|
One of the worst crooks in town!
|
|
|
|
Are you going to let him out?
|
|
|
|
I can't let him out.
|
|
|
|
You'll take fifty and like it!
|
|
|
|
But I'm liable to get into a jam.
|
|
|
|
You'll get into a worse one if you don't.
|
|
|
|
I lost my wallet.
|
|
|
|
I can't imagine who did it.
|
|
I can't think of any enemies I have.
|
|
|
|
I'm sure you haven't any.
|
|
|
|
But then I realized he couldn't have been.
|
|
|
|
How could you ever think of such a thing?
|
|
|
|
Did you finish the interview?
|
|
|
|
The Criminal Courts Building.
|
|
|
|
I'll just go upstairs and send it over with a messenger.
|
|
|
|
I'm not taking any more chances.
|
|
|
|
I don't think it's very ethical reading other people's stuff.
|
|
|
|
Don't give us that ethics stuff.
|
|
You'll be the only one who'll swipe any of it.
|
|
|
|
I'll take that bet.
|
|
|
|
Without a single quiver.
|
|
|
|
Better get a pencil out and write it down.
|
|
|
|
And that's my farewell to the newspaper game.
|
|
I'm going to live a normal life and have a home.
|
|
|
|
Now where was that hat?
|
|
|
|
Just one thing more.
|
|
|
|
Nothing's going to happen.
|
|
|
|
You will be Earl Williams.
|
|
And I will be the policeman.
|
|
|
|
Point the gun at me!
|
|
|
|
Then what did you do?
|
|
|
|
Who'll keep the lamp in the window for you.
|
|
|
|
Get the riot guns!
|
|
|
|
What's the matter What's happened?
|
|
|
|
He's probably trying the gate!
|
|
|
|
It was Earl Williams!
|
|
|
|
Earl Williams just escaped from the County Jail.
|
|
I'm on the job!
|
|
|
|
It means my job!
|
|
|
|
A lot of money.
|
|
|
|
Four hundred and fifty dollars.
|
|
Is it a deal?
|
|
|
|
Let's see the money.
|
|
|
|
How did Earl Williams get that gun?
|
|
|
|
Then he got out through the skylight.
|
|
|
|
Nobody knows where he got it.
|
|
|
|
Criminals cry for it.
|
|
|
|
Sidelights on Sheriff Hartman's manhunt.
|
|
|
|
There goes another scrub lady.
|
|
|
|
I'll go right after it.
|
|
|
|
Any dope yet on how he got out?
|
|
|
|
How do you suppose Williams got that gun?
|
|
|
|
That's not my money!
|
|
|
|
Now what's the story?
|
|
I'll have the paper send the money right down to you.
|
|
I swear it on my mother's grave.
|
|
|
|
I meant on my grandmother's grave.
|
|
|
|
I'm not good enough to make this one up.
|
|
|
|
I'll see you get it in fifteen minutes.
|
|
|
|
Hold on a minute.
|
|
|
|
His name is Bruce Baldwin.
|
|
Can you do your stuff?
|
|
|
|
You've got about two minutes.
|
|
|
|
Sorry to keep you waiting.
|
|
How much was it again?
|
|
Four hundred and fifty dollars?
|
|
Hang on a second.
|
|
|
|
I need four hundred and fifty dollars in counterfeit money.
|
|
You know where I can get it?
|
|
|
|
It's coming right over.
|
|
I'm sending it over with Louis.
|
|
Thanks for the story and good luck on your honeymoon.
|
|
|
|
I thought you were gone.
|
|
|
|
Have him call me back!
|
|
|
|
I'll be right back.
|
|
|
|
Maybe he'll give us one.
|
|
|
|
I got a lot on my mind.
|
|
|
|
His Honor won't say anything.
|
|
|
|
Have you seen Sheriff Hartman?
|
|
|
|
The place is so full of cockroaches.
|
|
|
|
Who engineered this getaway?
|
|
|
|
We've got him located.
|
|
|
|
Where he used to live.
|
|
|
|
I'll see you after.
|
|
|
|
Did you actually give Williams that gun?
|
|
|
|
Any statement on the Red uprising tomorrow?
|
|
|
|
There'll be no Red uprising!
|
|
|
|
I've got to talk to you straight from the shoulder.
|
|
|
|
Just give me a few hours before you make any decisions.
|
|
I'm doing everything humanly possible.
|
|
I've just sworn in four hundred deputies.
|
|
|
|
Do you want to bankrupt this administration?
|
|
|
|
I'm getting them for twelve dollars a night.
|
|
|
|
Out shooting everybody they see for the fun of it?
|
|
|
|
It's a sacrifice we all ought to be glad to make.
|
|
|
|
Please don't appeal to my Sentimental side.
|
|
|
|
I've always looked on Bessie as my own sister.
|
|
|
|
There is a way out.
|
|
What more do you want?
|
|
The twelve dollars includes everything!!
|
|
|
|
That gives you an idea of what I'm up against!
|
|
|
|
But they've got nothing to do with this case!
|
|
|
|
He can't get away.
|
|
|
|
What do you mean he can't get away?!
|
|
|
|
Is Sheriff Hartman in there?
|
|
|
|
This is from the Governor.
|
|
|
|
What's from the Governor?
|
|
|
|
The reprieve for Earl Williams.
|
|
|
|
The Governor gave me his word of honor he wouldn't interfere.
|
|
|
|
It frightens me what I'd like to do to you.
|
|
Who else knows about this?
|
|
|
|
They were all standing around when he wrote it.
|
|
It was after they got back from fishing.
|
|
|
|
Get the Governor on the phone!
|
|
|
|
You can't get him on the phone.
|
|
He's out duckshooting now.
|
|
|
|
How do you like that.
|
|
|
|
An attempt to ruin us!
|
|
|
|
What'll we tell 'em?
|
|
|
|
Tell 'em to hold the wire.
|
|
|
|
Cover up that transmitter!
|
|
|
|
How much do you make a week?
|
|
|
|
That's almost a hundred dollars a week!
|
|
|
|
Who do you think!
|
|
|
|
The City Sealer's office!
|
|
|
|
You mean here in the city?
|
|
|
|
I couldn't work in the city.
|
|
|
|
But you could bring 'em in here!
|
|
We'll pay all your expenses.
|
|
|
|
And I guarantee that they'll graduate with highest honors!
|
|
|
|
Now what do you say?
|
|
|
|
This puts me in a peculiar hole.
|
|
|
|
Come in and see me in my office tomorrow.
|
|
|
|
Go to this address.
|
|
Just tell 'em Fred sent you.
|
|
And here's fifty dollars on account.
|
|
|
|
I'll tell you in a minute!
|
|
|
|
Tell 'em to shoot to kill.
|
|
|
|
There's that reprieve if they ever find out.
|
|
|
|
Nobody reprieved that policeman he murdered.
|
|
|
|
We dont want him!
|
|
|
|
Have you got my dough?
|
|
|
|
The boss sent me over with it.
|
|
|
|
Come on with that money!
|
|
|
|
First you got to sign a receipt.
|
|
|
|
Where's Bruce Baldwin's wallet?
|
|
|
|
It'll be for life!
|
|
|
|
You know it is!
|
|
|
|
I didn't frisk him.
|
|
I didn't know whose it was.
|
|
|
|
27th Precinct Station House?
|
|
|
|
I've got to write that story about your "Production for Use".
|
|
|
|
You can't trust anybody in this crazy world.
|
|
|
|
You wouldn't want to kill anybody.
|
|
|
|
I don't want to kill anybody.
|
|
All I want to do is be let alone.
|
|
|
|
I don't trust anybody.
|
|
|
|
I guess I used all the shells.
|
|
|
|
I couldn't go through another day like this.
|
|
|
|
I'm not afraid to die.
|
|
|
|
Don't talk too loud.
|
|
|
|
It's the philosophy that guarantees every man freedom.
|
|
|
|
I wish they'd take me back and hang me.
|
|
I done my best.
|
|
|
|
Where are they gone?
|
|
You know where they are?
|
|
|
|
We've got to do something!
|
|
|
|
I didn't mean to shoot him.
|
|
|
|
Of course I believe you.
|
|
|
|
I forgot to thank you for those roses.
|
|
|
|
You got to help us.
|
|
|
|
I'm trying to think of something before those reporters get back.
|
|
|
|
Let 'em take me.
|
|
It's better that way.
|
|
|
|
Who locked the door?
|
|
|
|
Can you get in this desk?
|
|
|
|
What's going on in there?
|
|
|
|
What good'll it do?
|
|
|
|
We'll get you out in ten minutes.
|
|
|
|
They'll find me anyhow.
|
|
|
|
I'll be right here.
|
|
I won't leave you.
|
|
|
|
What's going on here?
|
|
|
|
I've been trying to get her to come to.
|
|
|
|
She looks as though she's going to come to.
|
|
|
|
She'll be all right.
|
|
|
|
The whole police force standing on it's ear.
|
|
|
|
I was never so tired in my life.
|
|
|
|
Out with Hartman's deputies.
|
|
I'm in a drugstore.
|
|
|
|
Want to go out on it?
|
|
|
|
I say we don't go out any more.
|
|
Let Earl Williams come to us.
|
|
|
|
A fine bunch of reporters.
|
|
|
|
It's easy for you to talk.
|
|
|
|
What's the matter with you boys?
|
|
Afraid it might rain?
|
|
|
|
Are you trying to scoop us or something?
|
|
|
|
Something smells around here.
|
|
|
|
I didn't do nothin'.
|
|
|
|
Mollie did give her some kind of story.
|
|
|
|
We better hold onto 'em both.
|
|
|
|
Don't you mother me!
|
|
|
|
You don't have to go with me at all!
|
|
Stay with that murderer you caught!
|
|
|
|
Which one of these men is it?
|
|
They all look like murderers to me!
|
|
|
|
Where does she get that stuff?
|
|
|
|
Shall we tell her what she looks like?
|
|
|
|
I don't know what she's talking about.
|
|
I never said any such thing.
|
|
|
|
But I never said anything like that!
|
|
|
|
She never told her that!
|
|
|
|
I said I was trying to catch one.
|
|
|
|
What do you know about it?
|
|
How do you know she didn't?
|
|
|
|
Who you holding out on?
|
|
|
|
She don't know where Williams is.
|
|
I'm the one that knows.
|
|
|
|
You don't think I'm gonna tell!
|
|
|
|
I ain't gonna squeal!
|
|
|
|
Before we slap you down.
|
|
|
|
Let me alone or I'll knock your heads off!
|
|
|
|
Put down that chair!
|
|
|
|
You'll never get it out of me!
|
|
|
|
Take me out of here!
|
|
|
|
Take her to the infirmary!
|
|
|
|
She jumped out of the window.
|
|
|
|
I won't shut up!
|
|
That girl killed herself.
|
|
What's in that desk?
|
|
|
|
See that she doesn't take to anyone on the way.
|
|
|
|
You can't do that!
|
|
|
|
Tell 'em it's a case of delirium tremens.
|
|
|
|
Where do you think you're going?
|
|
|
|
I've got to get Bruce out of jail!
|
|
|
|
Get Bruce out of jail!
|
|
You can't desert now!
|
|
|
|
You've got the brain of a pancake!
|
|
|
|
Don't get technical at a time like this!
|
|
Do you realize what you've done?
|
|
|
|
I'd like to think.
|
|
|
|
We'll crucify that mob.
|
|
|
|
You've got the Mayor and Hartman backed against a wall.
|
|
You've put one administration out and another in.
|
|
That's all you are.
|
|
|
|
I can see the billboards now.
|
|
Light up with Hildy Johnson!
|
|
|
|
We can't leave Williams here.
|
|
|
|
We're going to take him over to my private office.
|
|
|
|
We'll carry the desk over.
|
|
|
|
You can't take that desk out.
|
|
It's crawling with cops outside.
|
|
|
|
We'll lower it out of the window with pulleys.
|
|
|
|
How much do you want on it?
|
|
|
|
All the words you've got.
|
|
|
|
Give him the works.
|
|
We've got the biggest story in the world.
|
|
|
|
Never mind the European war!
|
|
We've got something a whole lot bigger than that.
|
|
I've got a desk I want moved.
|
|
Never mind what desk!
|
|
|
|
Get me Duffy back.
|
|
Somebody cut us off!
|
|
|
|
What the devil do you want?
|
|
|
|
How'd you get out?
|
|
|
|
What was the name of the Mayor's first wife?
|
|
|
|
You mean the one who drank so much?
|
|
|
|
I wonder what's keeping mother?
|
|
She was supposed to come down and get you.
|
|
|
|
Did you give her the money?
|
|
|
|
Then suppose you give me the money.
|
|
|
|
I got it back.
|
|
|
|
There's something funny going on around here.
|
|
|
|
And you can meet us at the station.
|
|
|
|
And now I don't know where my mother is.
|
|
She may be lost.
|
|
|
|
What does she look like?
|
|
|
|
That's about the best description I know.
|
|
|
|
That's the kind of stuff they want!
|
|
|
|
There's a lot of counterfeit big bills going around.
|
|
|
|
I just wanted to be sure.
|
|
|
|
Now the moon's out!
|
|
|
|
Three taps is me.
|
|
|
|
He's on the way.
|
|
|
|
The boys'll be coming back to phone.
|
|
|
|
Is he coming back here?
|
|
|
|
Didn't you hear him?
|
|
Of course he's coming back here.
|
|
|
|
What's the idea of locking this?
|
|
|
|
How do you mean?
|
|
|
|
The poem was great!
|
|
|
|
How would you like to work for me?
|
|
|
|
We need somebody like you.
|
|
|
|
I'm sending Bensinger over to see you.
|
|
|
|
Of course you wouldn't know!
|
|
Put Mr. Bensinger right on the staff.
|
|
|
|
Let him have everything he wants.
|
|
Get the sense of an animal at bay!
|
|
|
|
Sort of a Jack London style?
|
|
|
|
It doesn't have to rhyme!
|
|
|
|
I'll keep you in mind.
|
|
|
|
Handle him with kid gloves.
|
|
Stall him along until the extra comes out.
|
|
Then tell him his poetry stinks and kick him downstairs.
|
|
|
|
But this'll teach him a lesson.
|
|
He won't quit his paper without giving notice after this.
|
|
|
|
Don't sit there like a frozen robin!
|
|
|
|
And got it out as soon as you can.
|
|
|
|
Bruce ought to be back by now.
|
|
|
|
What did you do with her?
|
|
|
|
You been in a fight?
|
|
|
|
You know what I mean?
|
|
|
|
Take that mush out of your mouth!
|
|
|
|
Where's the old lady?
|
|
|
|
We run smack into a police patrol.
|
|
We broke it in half!
|
|
|
|
Can you imagine bumping into a load of cops?!
|
|
|
|
The driver got knocked cold.
|
|
|
|
She's probably squawking her head off in some police station.
|
|
|
|
What am I going to say to Bruce?
|
|
What'll I tell him?
|
|
|
|
what can I do now?
|
|
How can I ever face him?
|
|
|
|
You know I would.
|
|
|
|
I'll find out everything.
|
|
|
|
Gimme the Receiving Room.
|
|
|
|
What are you doing there?
|
|
Haven't you even started?
|
|
|
|
Was there an old lady brought in from an auto smashup?
|
|
|
|
You can't stop for a dame now!
|
|
|
|
Is this the Community Hospital?
|
|
|
|
I don't care if you've been after her for six years!
|
|
|
|
I'll kill both of 'em!
|
|
|
|
It's up to you.
|
|
|
|
Beat it out and get hold of some guys.
|
|
|
|
Who do you want?
|
|
|
|
We've got to get this desk out of here.
|
|
|
|
The shirt off my back.
|
|
|
|
You got plenty of money?
|
|
|
|
I always have both.
|
|
|
|
And don't bump into anything.
|
|
|
|
That dumb immigrant'll flop on me.
|
|
|
|
There's millions of ways.
|
|
|
|
See if we can move it.
|
|
|
|
Will you come here?
|
|
|
|
I beg your pardon.
|
|
|
|
I don't care what you say.
|
|
I'm going to find Bruce's mother.
|
|
I'm going out and find her!
|
|
|
|
We want to see you.
|
|
|
|
Take your paws off me!
|
|
|
|
Keep her in here!
|
|
|
|
We know what you're up to.
|
|
|
|
The door was locked.
|
|
|
|
She and Mollie were talking.
|
|
|
|
There's been an accident.
|
|
|
|
You can send somebody with me if you don't believe me!
|
|
|
|
I wasn't born yesterday.
|
|
|
|
Nobody's trying to put anything over on you.
|
|
I'm getting out of here and you can't stop me!
|
|
|
|
You're not going anywhere.
|
|
That's why Burns is here.
|
|
|
|
Let us in on it.
|
|
|
|
You'll ask me to what?
|
|
|
|
Don't let anybody in or out.
|
|
|
|
Give 'em a little third degree.
|
|
|
|
What do you know about Williams?
|
|
Are you going to talk or aren't you?
|
|
|
|
What do I know about Williams?
|
|
|
|
I got ways of making her talk.
|
|
|
|
Where'd you get this?
|
|
|
|
Are you trying to make me out a liar?
|
|
|
|
Maybe Williams was gonna be her best man.
|
|
|
|
Crossing your own pals.
|
|
|
|
Where you got him?
|
|
|
|
I'll give you three minutes to tell me where he is.
|
|
|
|
He went over to the hospital to call on Professor Egelhoffer.
|
|
|
|
With a bag of marshmallows.
|
|
|
|
Ask the Master Mind!
|
|
What's he doing over here?
|
|
|
|
What do you know about this.
|
|
|
|
The Morning Post is not obstructing justice or hiding criminals.
|
|
You ought to know that.
|
|
|
|
I'll show you what I'm doing.
|
|
|
|
We'll just start by impounding the Post property.
|
|
|
|
What are you afraid of Hildy?
|
|
I dare him to move that desk out of here.
|
|
|
|
You'll weaken when you see that little Jezebel!
|
|
I'm going to tell her what I think of her!
|
|
|
|
Are you all right?
|
|
|
|
What's the idea here?
|
|
|
|
This lady claims she was kidnapped.
|
|
|
|
He was the one in charge of everything!
|
|
He told them to kidnap me!
|
|
|
|
You know you did!
|
|
|
|
I never saw this woman before in my life!
|
|
|
|
Did you get the Mayor?
|
|
|
|
How dare you say a thing like that?
|
|
|
|
I'll tell you something more.
|
|
I'll tell you why they did it!
|
|
|
|
We've got to get bail.
|
|
|
|
They were hiding him!
|
|
|
|
And you know it!
|
|
|
|
He's in the desk!
|
|
|
|
Get your guns out!
|
|
|
|
Don't take any chances.
|
|
Shoot through the desk.
|
|
|
|
He can't hurt anybody.
|
|
You've got his gun.
|
|
|
|
Let me out of here!
|
|
|
|
Look out where you're pointing that gun!
|
|
|
|
Lemme have the Desk!
|
|
|
|
I've got a flash for you!
|
|
|
|
Do you want to get us scooped?
|
|
|
|
Hang on for a second.
|
|
|
|
Take hold of the cover.
|
|
|
|
Don't try to move.
|
|
Everybody quiet and ready for an emergency.
|
|
I'm going to count three.
|
|
|
|
I'll have it in a minute.
|
|
|
|
Don't let him shoot!
|
|
|
|
He offered no resistance.
|
|
|
|
The Morning Post just turned Earl Williams over to the Sheriff.
|
|
|
|
Where's that old lady?
|
|
Where's the old dame?
|
|
|
|
You certainly delivered the goods.
|
|
I'm proud of you.
|
|
|
|
A sight for sore eyes!
|
|
|
|
Aiding an escaped criminal!
|
|
And a little charge of kidnapping I'm looking into.
|
|
But that's the jail!
|
|
There must be somebody there!
|
|
|
|
Looks like about ten years apiece for you birds!
|
|
|
|
You forget the power that always watches over the Morning Post.
|
|
|
|
Your luck's not with you now!
|
|
|
|
Give me the District Attorney's office.
|
|
|
|
All the lawyers in the world aren't going to help you!
|
|
|
|
This is the Morning Post you're talking to!
|
|
|
|
Get out of here!
|
|
|
|
You can't bribe me!
|
|
|
|
I don't want to be City Sealer.
|
|
I don't like seals anyhow.
|
|
|
|
Who is this man?
|
|
|
|
They wouldn't take it.
|
|
|
|
What did I tell you?
|
|
|
|
Hanging an innocent man to win an election!
|
|
|
|
I never saw him before!
|
|
|
|
When did you deliver this first?
|
|
|
|
Who did you talk to?
|
|
|
|
They started right in bribing me!
|
|
|
|
He's talking like a child.
|
|
|
|
Out of the mouths of babes.
|
|
|
|
He's insane or drunk or something.
|
|
|
|
Let's have your story.
|
|
|
|
That wasn't at all necessary.
|
|
|
|
I was just going to!
|
|
|
|
There was no excuse for Hartwell to fly off the handle.
|
|
|
|
Nothing personal in it.
|
|
|
|
You guys better quit politics and take in washing.
|
|
|
|
Save that for the Tribune.
|
|
|
|
Here's the picture of my wife.
|
|
|
|
She's good enough for me!
|
|
|
|
You're going to run into the Governor.
|
|
|
|
And so do I!
|
|
|
|
Wait till those two future jailbirds read the Morning Post tomorrow.
|
|
|
|
How was that for a tight squeeze?
|
|
|
|
Don't tell me you were worried!
|
|
|
|
Just like the old days.
|
|
|
|
We've certainly been in some swell jams.
|
|
|
|
In the Shoreland Hotel.
|
|
And our only chaperon was the poor old lady's stomach.
|
|
|
|
I didn't mean to be making love to another man's fiancee.
|
|
|
|
It's as much my fault as yours.
|
|
|
|
Bruce is making the nine o'clock train.
|
|
|
|
This isn't for me to decide.
|
|
|
|
I suppose I could.
|
|
|
|
Can't you give me another hour?
|
|
|
|
I'm not doing it for you!
|
|
|
|
Then why are you doing it?
|
|
|
|
The greatest yarn ever written by anybody.
|
|
|
|
And what a way to quit.
|
|
While you're still champion!
|
|
|
|
Bruce'll be waiting for you in Albany.
|
|
|
|
I wired him that I wasn't coming.
|
|
|
|
Where'd you wire him?
|
|
|
|
On the nine o'clock train.
|
|
|
|
It's awfully clear now.
|
|
Is that job still open?
|
|
|
|
Only you expected it to be like other marriages.
|
|
We're a different world.
|
|
Look at what we went through today.
|
|
|
|
And that other honeymoon in a coal mine!
|
|
|
|
That's what makes it romantic.
|
|
|
|
What would you do if it was a daughter?
|
|
|
|
What's the matter with my brains?
|
|
|
|
What's the good of arguing about something that probably doesn't exist?
|
|
|
|
I don't want to rush you.
|
|
Take a couple of seconds.
|
|
|
|
Sending a gunman to kidnap me!
|
|
|
|
This isn't a kidnapping.
|
|
|
|
Nobody's going to rush me into anything!
|
|
|
|
Don't they usually keep the gun on the man?
|
|
|
|
That's what he said the last time.
|
|
|
|
You're not fooling anybody.
|
|
|
|
What would you do with a gun in your back?
|
|
|
|
If I know where he is.
|
|
|
|
Have you got a ring?
|
|
|
|
Look at the policy I gave him!
|
|
|
|
I'm just a fool.
|
|
That's what I am.
|
|
I know what it's going to be like.
|
|
|
|
I owe everything to George Bailey.
|
|
|
|
Help my friend Mr. Bailey.
|
|
|
|
Help my son George tonight.
|
|
|
|
George is a good guy.
|
|
|
|
Watch over him tonight.
|
|
|
|
Something's the matter with Daddy.
|
|
|
|
Please bring Daddy back.
|
|
|
|
Whose turn is it?
|
|
|
|
We've passed him up right along.
|
|
|
|
A man down on earth needs our help.
|
|
|
|
Then I've only got an hour to dress.
|
|
What are they wearing now?
|
|
|
|
You will spend that hour getting acquainted with George Bailey.
|
|
|
|
What's that book you've got there?
|
|
|
|
The Adventures of Tom Sawyer.
|
|
|
|
I don't see a thing.
|
|
|
|
You haven't got your wings yet.
|
|
|
|
Something happens here you'll have to remember later on.
|
|
|
|
George saved his brother's life that day.
|
|
|
|
Wish I had a million dollars.
|
|
|
|
Two cents worth of shoelaces?
|
|
|
|
She was here first.
|
|
|
|
You like every boy.
|
|
|
|
What's wrong with that?
|
|
|
|
I don't like coconuts.
|
|
|
|
You don't like coconuts!
|
|
|
|
Of course you never.
|
|
Only us explorers can get it.
|
|
I've been nominated for membership in the National Geographic Society.
|
|
|
|
Is this the ear you can't hear on?
|
|
|
|
You're not paid to be a canary.
|
|
|
|
Anything I can do back here?
|
|
|
|
Take these capsules over to Mrs. Blaine's.
|
|
|
|
Just thirty short days.
|
|
I'll dig up that five thousand somehow.
|
|
|
|
A lot of these people are out of work.
|
|
|
|
I can't do that.
|
|
These families have children.
|
|
|
|
They're not my children.
|
|
|
|
But they're somebody's children.
|
|
|
|
Are you running a business or a charity ward?
|
|
|
|
Not with my money!
|
|
|
|
You can't begin to spend all the money you've got.
|
|
|
|
He's not a failure!
|
|
You can't say that about my father!
|
|
|
|
You're the biggest man in town!
|
|
|
|
Gives you an idea of the Baileys.
|
|
|
|
I'll talk to you tonight.
|
|
|
|
Where's Mrs. Blaine's box of capsules?
|
|
|
|
Did you hear what I said?
|
|
|
|
Why didn't you deliver them right away?
|
|
Don't you know that boy's very sick?
|
|
|
|
You're hurting my sore ear.
|
|
|
|
You put something wrong in those capsules.
|
|
I know you're unhappy.
|
|
You put something bad in those capsules.
|
|
|
|
Just look and see what you did.
|
|
Look at the bottle you took the powder from.
|
|
|
|
Don't hurt my sore ear again.
|
|
|
|
Don't hurt my ear again!
|
|
|
|
I know what you're feeling.
|
|
I won't ever tell a soul.
|
|
|
|
What did you stop it for?
|
|
|
|
I want you to take a good look at that face.
|
|
|
|
It's a good face.
|
|
I like George Bailey.
|
|
|
|
Did he ever marry the girl?
|
|
Did he ever go exploring?
|
|
|
|
How much does this cost?
|
|
|
|
It sounded as if you said no charge.
|
|
|
|
What's my name doing on it?
|
|
|
|
A little present from old man Gower.
|
|
Came down and picked it out himself.
|
|
|
|
What boat you sailing on?
|
|
|
|
I'm working across on a cattle boat.
|
|
|
|
thanks ever so much for the bag.
|
|
It's just exactly what I wanted.
|
|
|
|
Hope you enjoy it.
|
|
|
|
You got your sea legs yet?
|
|
|
|
George waves up at them and continues on across the street.
|
|
|
|
How about driving me home in style?
|
|
|
|
That's some dress you got on there.
|
|
|
|
Think I'll go home and see what the wife's doing.
|
|
|
|
You're shaking the house down!
|
|
|
|
I wish I was up there with them.
|
|
|
|
Harry'll tear his dinner suit.
|
|
|
|
That's why all children should be girls.
|
|
|
|
Come down to dinner this minute.
|
|
Everything's getting cold and you know we've been waiting for you.
|
|
|
|
There's a moon out tonight.
|
|
|
|
I'm going to take over a lot of plates and things.
|
|
|
|
Uncle Billy and I are going to miss you.
|
|
|
|
I wonder what's eating that old money grubbing buzzard anyway?
|
|
|
|
Couldn't want a better death.
|
|
|
|
I hope it works.
|
|
|
|
Boys and girls and music.
|
|
Why do they need gin?
|
|
|
|
Your mother and I talked it over half the night.
|
|
|
|
We have that all figured out.
|
|
|
|
He's pretty young for that job.
|
|
|
|
Still after that first million before you're thirty.
|
|
|
|
I would if I thought I'd hear anything worth listening to.
|
|
|
|
I know it's soon to talk about it.
|
|
|
|
I want to do something big and something important.
|
|
|
|
Most of my friends have already finished college.
|
|
|
|
You get yourself an education.
|
|
Then get out of here.
|
|
|
|
I think you're a great guy.
|
|
|
|
About time one of you lunkheads said it.
|
|
|
|
I'm going to miss old Annie.
|
|
|
|
I'm going to put him through college.
|
|
|
|
When did you get here?
|
|
|
|
I thought I'd give the kids a treat.
|
|
|
|
You're the guy I want to see.
|
|
Coach has heard all about you.
|
|
|
|
He's followed every game and his mouth's watering.
|
|
|
|
Putting a pool under this floor was a great idea.
|
|
Saved us another building.
|
|
|
|
That's the reason why I came in fourth.
|
|
|
|
Nobody'd ever tell you whoever it was because they'd be scared.
|
|
|
|
You look at me as if you didn't know me.
|
|
|
|
You've passed me on the street almost every day.
|
|
|
|
That was a little girl named Mary Hatch.
|
|
|
|
The big Charleston contest.
|
|
A genuine loving cup.
|
|
|
|
I'm not very good at this.
|
|
|
|
Did you know there's a swimming pool under this floor?
|
|
|
|
We must be good.
|
|
|
|
Buffalo Gals can't you come out tonight.
|
|
|
|
Just like an organ.
|
|
|
|
And I told Harry I thought I'd be bored to death.
|
|
You should have seen the commotion in that locker room.
|
|
|
|
Do I look as funny as you do?
|
|
|
|
I guess I'm not quite the football type.
|
|
|
|
Maybe I will say it.
|
|
How old are you anyway?
|
|
|
|
Too young or too old?
|
|
|
|
Your age fits you.
|
|
|
|
A pox upon me for a clumsy lout.
|
|
|
|
You may kiss my hand.
|
|
|
|
I love that old house.
|
|
|
|
I'd like to live in it.
|
|
|
|
I wouldn't live in it as a ghost.
|
|
right on the second floor there.
|
|
|
|
and then I'm going to build things.
|
|
I'm gonna build air fields.
|
|
|
|
Are you gonna throw a rock?
|
|
|
|
What'd you wish when you threw that rock?
|
|
|
|
If I told you it might not come true.
|
|
|
|
You want the moon?
|
|
|
|
Am I talking too much?
|
|
|
|
Why don't you kiss her instead of talking her to death?
|
|
|
|
Over here in the hydrangea bushes.
|
|
|
|
What am I doing?
|
|
This is a very interesting situation.
|
|
|
|
Please give me my robe.
|
|
|
|
A man doesn't get in a situation like this every day.
|
|
|
|
I'd like to have my robe.
|
|
|
|
This requires a little thought here.
|
|
|
|
Give me my robe!
|
|
|
|
I'm going to tell your mother on you.
|
|
|
|
I'll call the police.
|
|
|
|
I'm going to scream!
|
|
|
|
Maybe I could sell tickets.
|
|
|
|
Your father's had a stroke!
|
|
|
|
I've got to go.
|
|
|
|
Did you get a doctor?
|
|
|
|
I know you're anxious to make a train.
|
|
|
|
I have a taxi waiting downstairs.
|
|
|
|
Wait just a minute now.
|
|
|
|
Peter Bailey died three months ago.
|
|
I second Mr. Potter's motion.
|
|
|
|
In that case I'll ask the two executive officers to withdraw.
|
|
|
|
Thank you very much.
|
|
|
|
I'll go further than that.
|
|
|
|
Peter Bailey was not a business man.
|
|
That's what killed him.
|
|
|
|
You have all the papers there.
|
|
I can personally vouch for his character.
|
|
|
|
A friend of yours?
|
|
|
|
What does that get us?
|
|
|
|
You're right when you say my father was no business man.
|
|
|
|
I'm not interested in your book.
|
|
I'm talking about the Building and Loan.
|
|
|
|
I know very well what you're talking about.
|
|
You're the Board here.
|
|
You do what you want with this thing.
|
|
|
|
You shut his big mouth.
|
|
|
|
We heard a lot of yelling.
|
|
|
|
You're a week late for school already.
|
|
|
|
Don't worry about that.
|
|
|
|
They voted Potter down!
|
|
|
|
That's the best part of it.
|
|
|
|
You can keep him on.
|
|
As secretary you can hire anyone you like.
|
|
|
|
I'm leaving right now.
|
|
I'm going to school.
|
|
This is my last chance.
|
|
|
|
There's the professor now!
|
|
|
|
Nobody ever changes around here.
|
|
|
|
She's home cooking the fatted calf.
|
|
|
|
How do you do.
|
|
|
|
My father offered him a job.
|
|
|
|
Ruth spoke out of turn.
|
|
I never said I'd take it.
|
|
|
|
It was a surprise to me.
|
|
|
|
I've heard him speak of you.
|
|
|
|
that's all Harry ever talks about.
|
|
|
|
what about this job?
|
|
|
|
He wants to get Harry started in the research business.
|
|
|
|
Is it a good job?
|
|
|
|
Harry's a genius at research.
|
|
My father fell in love with him.
|
|
|
|
I feel so good I could spit in Potter's eye.
|
|
I think I will.
|
|
|
|
Which one is mine?
|
|
|
|
Now you just turn this way and go right straight down.
|
|
|
|
How do you like her?
|
|
|
|
Looks like she can keep Harry on his toes.
|
|
|
|
Did you know that Mary Hatch is back from school?
|
|
|
|
Came back three days ago.
|
|
|
|
Sam's crazy about Mary.
|
|
|
|
Did she discuss it with you?
|
|
|
|
And all's fair in love and war?
|
|
|
|
I don't know about war.
|
|
|
|
I think I got a date.
|
|
|
|
what are you doing tonight?
|
|
|
|
Let's make a night of it.
|
|
|
|
Then we can go up to the falls.
|
|
Then we can climb Mt.
|
|
|
|
Walk in the grass in my bare feet?
|
|
|
|
I just happened to be passing by.
|
|
|
|
My mother just called you?
|
|
|
|
Didn't you tell her?
|
|
|
|
I didn't tell anybody.
|
|
|
|
When did you get back?
|
|
|
|
Where'd you get that dress?
|
|
|
|
Do you like it?
|
|
|
|
I guess I was homesick.
|
|
|
|
I still can't understand it though.
|
|
You know I didn't tell anybody I was coming here.
|
|
|
|
Would you rather leave?
|
|
|
|
Don't you like her?
|
|
|
|
Who's down there with you?
|
|
|
|
I just came in to get warm.
|
|
|
|
Sam Wainwright promised to call you from New York tonight.
|
|
|
|
What did you come here for?
|
|
|
|
You're supposed to be the one that has all the answers.
|
|
|
|
That's where I'm going.
|
|
I don't know why I came here in the first place!
|
|
|
|
I forgot my hat.
|
|
|
|
He asked for him.
|
|
|
|
What're you trying to do?
|
|
|
|
Nobody's trying to steal your girl.
|
|
|
|
I want to talk to both of you.
|
|
Tell Mary to get on the extension.
|
|
|
|
Mother's on the extension.
|
|
|
|
We can both hear.
|
|
|
|
Can you think of anything better?
|
|
|
|
why not right here?
|
|
|
|
The chance of a lifetime.
|
|
|
|
He says it's the chance of a lifetime.
|
|
|
|
Now you listen to me!
|
|
I don't want any plastics!
|
|
I want to do what I want to do.
|
|
|
|
Somebody's driving this cab.
|
|
|
|
He said to float away to Happy Land on the bubbles.
|
|
|
|
I feel like a bootlegger's wife.
|
|
|
|
You know what we're going to do?
|
|
We're going to shoot the works.
|
|
A whole week in New York.
|
|
A whole week in Bermuda.
|
|
|
|
There are a lot of seats over there.
|
|
Just make yourselves at home.
|
|
|
|
Why didn't you call me?
|
|
|
|
How did it start?
|
|
|
|
How does anything like this ever start?
|
|
|
|
About an hour ago.
|
|
I had to hand over all our cash.
|
|
|
|
The whole town's gone crazy.
|
|
|
|
I've just guaranteed the bank sufficient funds to meet their needs.
|
|
|
|
He just took over the bank.
|
|
|
|
If you close your doors before six P.M.
|
|
you will never reopen.
|
|
|
|
The bank's going to reopen next week.
|
|
|
|
Did he guarantee this place?
|
|
|
|
I didn't even ask him.
|
|
|
|
I'll take mine now.
|
|
|
|
you're thinking of this place all wrong.
|
|
As if I had the money back in a safe.
|
|
The money's not here.
|
|
Now what are you going to do?
|
|
|
|
You'll get your money in sixty days.
|
|
|
|
Fifty cents on the dollar!
|
|
|
|
Now give us sixty days on this.
|
|
|
|
Are you going to go to Potter's?
|
|
|
|
Better to get half than nothing.
|
|
|
|
now listen to me.
|
|
I beg of you not to do this thing.
|
|
He's already got charge of the bank.
|
|
|
|
Do you think Potter would have let you keep it?
|
|
Don't you see what's happening?
|
|
Because we're panicky and he's not.
|
|
|
|
How am I going to live until the bank opens?
|
|
|
|
I got doctor bills to pay.
|
|
|
|
Can't feed my kids on faith.
|
|
|
|
How much do you need?
|
|
|
|
I got two thousand dollars!
|
|
Here's two thousand dollars.
|
|
|
|
That'll close my account.
|
|
|
|
Your account's still here.
|
|
|
|
what'll it take till the bank reopens?
|
|
What do you need?
|
|
|
|
Never mind about that.
|
|
How much do you want?
|
|
|
|
And I'll sign a paper.
|
|
|
|
You don't have to sign anything.
|
|
I know you'll pay it back when you can.
|
|
|
|
You got fifty cents?
|
|
|
|
They'll never close us up today!
|
|
|
|
We've still got two bucks left!
|
|
|
|
We're a couple of financial wizards.
|
|
|
|
Get a tray for these great big important simoleons.
|
|
|
|
We'll save them for seed.
|
|
They raise their glasses.
|
|
|
|
I wish they were rabbits.
|
|
|
|
I wish they were too.
|
|
|
|
I wonder if Ernie's still here with his taxicab?
|
|
|
|
Mrs. Bailey is on the phone.
|
|
|
|
I don't want Mrs. Bailey.
|
|
I want my wife.
|
|
|
|
How would you like to get a ticket next week?
|
|
Haven't you any romance in you?
|
|
|
|
Who wants to see liver pills on their honeymoon?
|
|
|
|
Get that ladder up here.
|
|
|
|
Remember the night we broke the windows in this old house?
|
|
This is what I wished for.
|
|
|
|
I own the house.
|
|
I own my own house.
|
|
No more we live like pigs in thisa Potter's Field.
|
|
|
|
I'll bring the kids in the car.
|
|
|
|
Now get right up on the seat there.
|
|
|
|
The Martinis cross themselves.
|
|
|
|
he's always making a speech.
|
|
|
|
That this house may never know hunger.
|
|
|
|
That life may always have flavor.
|
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|
|
I'm just your little rent collector.
|
|
|
|
Congressman Blatz is here to see you.
|
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|
|
Used to hunt rabbits there myself.
|
|
Look at it today.
|
|
Dozens of the prettiest little homes you ever saw.
|
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|
|
You know very well why.
|
|
The Baileys were all chumps.
|
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|
|
Why don't you have your friends join us?
|
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|
|
I'm not rubbing it in.
|
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|
|
See you in the funny papers.
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|
|
Thanks for dropping around.
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|
|
I'll send you a box.
|
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|
|
But I haven't been able to do it.
|
|
You have been stopping me.
|
|
You and I were the only ones that kept our heads.
|
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|
|
twenty thousand dollars a year?
|
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|
|
Is it a deal or isn't it?
|
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|
|
You go on home and talk about it to your wife.
|
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|
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I'd like to do that.
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|
And it goes for you too!
|
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You wouldn't mind living in the nicest house in town.
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|
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And I'm going to build things.
|
|
I'm going to build air fields.
|
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I'm going to build skyscrapers a hundred stories high.
|
|
I'm going to build a bridge a mile long.
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|
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To keep from being an old maid.
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|
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You could have married Sam Wainwright or anybody else in town.
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I didn't want to marry anybody else in town.
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I want my baby to look like you.
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You didn't even have a honeymoon.
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|
|
George Bailey lassos stork.
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|
|
Night after night George came back late from the office.
|
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Potter was bearing down hard.
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|
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Then came a war.
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|
|
Ma Bailey and Mrs. Hatch joined the Red Cross and sewed.
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|
|
Potter became head of the draft board.
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|
|
Gower and Uncle Billy sold war bonds.
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|
|
Bert the cop was wounded in North Africa.
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Marty helped capture the Remagen Bridge.
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|
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Harry Bailey topped them all.
|
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Don't you know there's a war on?
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I think it's marvelous.
|
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|
Be sure you spell the name right.
|
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Read all about it!
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It's Harry now on long distance from Washington!
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What do you know about that?
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|
He reversed the charges.
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What do you mean it's okay?
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|
|
Wait till Martha hears about this.
|
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|
|
What did they have to eat?
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|
|
The Navy's going to fly Mother home this afternoon.
|
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|
|
Has Uncle Billy come in yet?
|
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|
|
We're all excited around here.
|
|
My brother just got the Congressional Medal of Honor.
|
|
The President just decorated him.
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|
|
He wants to talk to Uncle Billy.
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|
|
I want to spend Christmas in Elmira with my family.
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We'll fix you up.
|
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|
|
That couldn't be one of the Bailey boys?
|
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|
|
How does slacker George feel about that?
|
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|
|
He only lost three buttons off his vest.
|
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|
|
Not every heel was in Germany and Japan!
|
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|
|
Uncle Billy and bank teller at the window.
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|
|
I guess you forgot something.
|
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|
|
it's usually customary to bring the money with you.
|
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|
|
How about that one there?
|
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|
|
Take me back there.
|
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|
|
Come on in the office here.
|
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|
|
He's on the telephone.
|
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|
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I should have my head examined.
|
|
It's got to be somewhere.
|
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|
|
Want to walk to New York?
|
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|
|
Good luck to you.
|
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|
|
Say hello to New York for me.
|
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|
|
I'll be right with you.
|
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|
|
Come here a minute.
|
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|
|
Did you see Uncle Billy with any cash last night?
|
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|
|
Not even a stick of gum.
|
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|
|
And did you put the envelope in your pocket?
|
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|
|
I don't want any maybe.
|
|
|
|
Do you have any secret hiding place here in the house?
|
|
Someplace you could have put it?
|
|
|
|
I can't think any more.
|
|
|
|
That's what it means!
|
|
One of us is going to jail!
|
|
|
|
How do you like it?
|
|
|
|
Did you bring the wreath?
|
|
|
|
Did you bring the Christmas wreath?
|
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|
|
The Merry Christmas wreath for the window.
|
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|
|
I left it at the office.
|
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|
|
Where's your coat and hat?
|
|
|
|
Left them at the office.
|
|
|
|
Must she keep playing that?
|
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|
|
Better hurry and shave.
|
|
The families will be here soon.
|
|
|
|
Have a hectic day?
|
|
|
|
You should see it.
|
|
|
|
Excuse you for what?
|
|
|
|
Now go upstairs and see what little Zuzu wants.
|
|
|
|
What's the matter with Zuzu?
|
|
|
|
Caught it coming home from school.
|
|
|
|
The doctor says it's nothing serious.
|
|
|
|
Was the doctor here?
|
|
|
|
He says it's nothing to worry about.
|
|
|
|
Is she running a temperature?
|
|
|
|
I don't know why we don't all have pneumonia.
|
|
This drafty old barn!
|
|
Might as well be living in a refrigerator.
|
|
|
|
You call this a happy family?
|
|
Why did we have to have all these kids?
|
|
|
|
Going up to see Zuzu.
|
|
|
|
He told me to write a play for tonight.
|
|
|
|
I won a flower.
|
|
|
|
Want to give my flower a drink.
|
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|
|
I'll give it a drink.
|
|
|
|
Give the flower a drink.
|
|
|
|
Will you try to get some sleep?
|
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|
|
I want to look at my flower.
|
|
|
|
I'm sure she'll be all right.
|
|
|
|
Is that Zuzu's teacher?
|
|
|
|
Let me speak to her.
|
|
|
|
I'll hang her up!
|
|
|
|
Will you get out and let me handle this?
|
|
|
|
How should I know?
|
|
|
|
You've played it over and over again.
|
|
|
|
you go on and practice.
|
|
|
|
What's the matter with everybody?
|
|
I told you to practice.
|
|
|
|
Is Daddy in trouble?
|
|
|
|
Shall I pray for him?
|
|
|
|
They called me up from your Building and Loan.
|
|
He's looking for you.
|
|
|
|
Can't you see what it means to my family?
|
|
|
|
There's nothing wrong with the books.
|
|
I've just misplaced eight thousand dollars.
|
|
I can't find it anywhere.
|
|
|
|
You misplaced eight thousand dollars?
|
|
|
|
Have you notified the police?
|
|
|
|
I didn't want the publicity.
|
|
|
|
They're going to believe that one.
|
|
Playing the market with the company's money?
|
|
|
|
I can't get hold of him.
|
|
|
|
You're the only one in town that can help me.
|
|
|
|
I've suddenly become quite important.
|
|
Have you got any stocks?
|
|
|
|
Collateral of any kind?
|
|
|
|
how much is your equity in it?
|
|
|
|
You used to be so cocky!
|
|
You were going to go out and conquer the world!
|
|
You're worth more dead than alive.
|
|
|
|
How about some of that good spaghetti?
|
|
|
|
I'm at the end of my rope.
|
|
|
|
Want someone to take you home?
|
|
|
|
This is Christmas Eve.
|
|
|
|
This is Mr. George Bailey.
|
|
|
|
She cried for an hour.
|
|
|
|
I want to pay for my drink.
|
|
|
|
Never mind the money.
|
|
You get out of here quick.
|
|
|
|
You hit my best friend.
|
|
|
|
His name is Welch.
|
|
|
|
That's what I get for praying.
|
|
|
|
The last time he come in here.
|
|
|
|
Where's my insurance policy?
|
|
|
|
What do you think you're doing?
|
|
|
|
Now look what you did.
|
|
My greatgrandfather planted this tree.
|
|
|
|
Get this car out of here!
|
|
|
|
Look where you're going!
|
|
|
|
I didn't have time to get some stylish underwear.
|
|
My wife gave me this on my last birthday.
|
|
I passed away in it.
|
|
|
|
You should read the new book Mark Twain's writing now.
|
|
|
|
How'd you happen to fall in?
|
|
|
|
I didn't fall in.
|
|
I jumped in to save George.
|
|
|
|
Go through with what?
|
|
|
|
Where do you come from?
|
|
|
|
I had to act quickly; that's why I jumped in.
|
|
I knew if I were drowning you'd try to save me.
|
|
|
|
I'm the answer to your prayer.
|
|
That's why I was sent down here.
|
|
|
|
How do you know my name?
|
|
|
|
I've watched you grow up from a little boy.
|
|
|
|
I wonder what Martini put in those drinks?
|
|
|
|
What did you say just a minute ago?
|
|
Why'd you want to save me?
|
|
|
|
That's what I was sent down for.
|
|
I'm your guardian angel.
|
|
|
|
I wouldn't be a bit surprised.
|
|
|
|
Ridiculous of you to think of killing yourself for money.
|
|
|
|
just things like that.
|
|
Now how'd you know that?
|
|
|
|
I know everything about you.
|
|
|
|
What happened to your wings?
|
|
|
|
I haven't won my wings yet.
|
|
That's why I'm an angel Second Class.
|
|
|
|
By letting me help you.
|
|
|
|
Only one way you can help me.
|
|
You don't happen to have eight thousand bucks on you?
|
|
|
|
We don't use money in Heaven.
|
|
|
|
I found it out a little late.
|
|
I'm worth more dead than alive.
|
|
|
|
I won't get my wings with that attitude.
|
|
You just don't know all that you've done.
|
|
|
|
I guess you're right.
|
|
|
|
I said I wish I'd never been born.
|
|
|
|
You don't have to make all that fuss about it.
|
|
|
|
What did you say?
|
|
|
|
You've never been born.
|
|
|
|
Say something else in that ear.
|
|
|
|
You can hear out of it.
|
|
|
|
Must have been that jump in the cold water.
|
|
|
|
Our clothes are dry.
|
|
|
|
Stove's hotter than I thought.
|
|
|
|
I haven't got any wings.
|
|
|
|
You haven't got your wings.
|
|
|
|
You have no car.
|
|
|
|
I beg your pardon?
|
|
|
|
You must mean two other trees.
|
|
You had me worried.
|
|
One of the oldest trees in Pottersville.
|
|
|
|
Don't you think I know where I live?
|
|
|
|
Martini's a good friend of mine.
|
|
|
|
There's a place to sit down.
|
|
|
|
Nick is wiping off the bar as they sit down.
|
|
|
|
You want a martini?
|
|
|
|
You want a drink or don't you?
|
|
|
|
That's a good man.
|
|
I was just thinking of a flaming rum punch.
|
|
|
|
What's he talking about?
|
|
|
|
What's the matter with him.
|
|
I never saw Nick act like that before.
|
|
|
|
You'll see a lot of strange things from now on.
|
|
|
|
You got someplace to sleep?
|
|
|
|
No wonder you jumped in the river.
|
|
|
|
Don't they believe in angels?
|
|
|
|
Then why should they be surprised when they see one?
|
|
|
|
He never grew up.
|
|
|
|
And that's another thing.
|
|
Where do you come off calling me Nick?
|
|
|
|
What's that got to do with it?
|
|
I don't know you from Adam's off ox.
|
|
|
|
Didn't I tell you never to come panhandling around here?
|
|
|
|
This is George Bailey!
|
|
Don't you know me?
|
|
|
|
That rumhead spent twenty years in jail for poisoning a kid.
|
|
Would you show these gentlemen to the door.
|
|
|
|
I'm giving out wings!
|
|
|
|
You told me that.
|
|
What else are you?
|
|
are you a hypnotist?
|
|
|
|
It's because you were not born.
|
|
|
|
You have no identity.
|
|
|
|
My name's George Bailey.
|
|
|
|
There is no George Bailey.
|
|
|
|
Wait a minute here.
|
|
|
|
I'm going home and see my wife and family.
|
|
Do you understand that?
|
|
And I'm going home alone!
|
|
|
|
Where did the Building and Loan move to?
|
|
|
|
The Building and what?
|
|
|
|
The Bailey Building and Loan.
|
|
It was up there.
|
|
|
|
They went out of business years ago.
|
|
|
|
I know that girl!
|
|
|
|
I'm off my nut!
|
|
|
|
Where do you live?
|
|
|
|
You know where I live.
|
|
|
|
You seen my wife?
|
|
|
|
I've been to your house a hundred times.
|
|
|
|
Just step on it.
|
|
Just get me home.
|
|
|
|
Is this the place?
|
|
|
|
Of course it's the place.
|
|
|
|
You have no children.
|
|
|
|
What have you done with them?
|
|
|
|
Thank heaven you're here!
|
|
|
|
What's the matter with you two guys?
|
|
You were here on my wedding night.
|
|
|
|
Think I'd better be going.
|
|
|
|
Everything's going to be all right.
|
|
|
|
I had him right here.
|
|
|
|
I need a drink.
|
|
|
|
Help me find 'em.
|
|
|
|
I thought sure you'd remember me.
|
|
|
|
If you're looking for a room there's no vacancy.
|
|
|
|
Something terrible's happened to me.
|
|
I don't know what it is.
|
|
Something's happened to everybody.
|
|
Please let me come in.
|
|
Keep me here until I get over it.
|
|
|
|
When'd you see him last?
|
|
|
|
You know where he lives?
|
|
|
|
Sure I know where he lives.
|
|
He lives in Bailey Park.
|
|
|
|
Are you sure this is Bailey Park?
|
|
|
|
All I know is this should be Bailey Park.
|
|
But where are the houses?
|
|
|
|
You weren't here to build them.
|
|
|
|
Harry Bailey went to war!
|
|
He got the Congressional Medal of Honor!
|
|
He saved the lives of every man on that transport.
|
|
|
|
Every man on that transport died.
|
|
|
|
I'm not supposed to tell.
|
|
|
|
She's an old maid.
|
|
|
|
She's just about to close up the library!
|
|
|
|
I don't know you!
|
|
|
|
Somebody call the police!
|
|
|
|
Hit him with a bottle!
|
|
|
|
He needs a strait jacket!
|
|
|
|
I don't care what happens to me.
|
|
Only get me back to my wife and kids.
|
|
|
|
I want to live again.
|
|
|
|
I've been looking all over town trying to find you.
|
|
|
|
I'll bet it's a warrant for my arrest.
|
|
|
|
Have you seen my wife?
|
|
|
|
She went looking for you with Uncle Billy.
|
|
|
|
How do you feel?
|
|
|
|
And not a smitch of temperature.
|
|
|
|
Where have you been?
|
|
|
|
Let me touch you!
|
|
|
|
You have no idea what's happened to me.
|
|
|
|
They're on their way.
|
|
|
|
Come on in here now.
|
|
|
|
Another run on the bank?
|
|
|
|
The line forms on the right.
|
|
|
|
Step right up here.
|
|
|
|
I changed my mind.
|
|
|
|
I got the faculty all up out of bed.
|
|
|
|
Mr. Gower cables you need cash.
|
|
Heehaw and Merry Christmas.
|
|
|
|
How about some wine?
|
|
|
|
The fool flew all the way up here in a blizzard.
|
|
|
|
The richest man in town!
|
|
|
|
That's a Christmas present from a very dear friend of mine.
|
|
|
|
Have a good trip?
|
|
|
|
Now wait a minute!
|
|
But it just so happens I've got a picture of her.
|
|
|
|
So you combined pleasure with business!
|
|
|
|
Isn't a word of truth in it!
|
|
|
|
Judge Doolittle may not think so.
|
|
|
|
What's all this mess?
|
|
|
|
What were you doing in Boston?
|
|
|
|
Did you get it?
|
|
|
|
What's all this horseplay about?
|
|
|
|
Come into my office!
|
|
|
|
HEADS POPPING BACK BEHIND DOORS.
|
|
|
|
So you got married?
|
|
|
|
I imagine this will be a surprise to some people.
|
|
|
|
It all happened rather suddenly.
|
|
|
|
And you married her.
|
|
|
|
She's written to me every day since.
|
|
Even coming down on the train together she wrote me.
|
|
|
|
What about Higgins against Higgins?
|
|
|
|
Opposing counsel wouldn't consent.
|
|
|
|
We couldn't make it in a week!
|
|
|
|
And we had a bite.
|
|
|
|
These cookies are delicious!
|
|
|
|
I'm crazy about Jane!
|
|
|
|
I came over with Johnny.
|
|
|
|
Well I should think it was sudden!
|
|
What did your family have to say about it?
|
|
|
|
I have no family.
|
|
|
|
One needs all one's time and energy for a career.
|
|
|
|
Don't you think marriage is a career in itself?
|
|
|
|
A partnership in the strictest sense of the word.
|
|
One must prepare for it.
|
|
There are so many things to learn.
|
|
|
|
What do they look like?
|
|
|
|
What's done is done.
|
|
|
|
I wish you every possible happiness and joy.
|
|
I think perhaps I'd better go to bed.
|
|
|
|
Some place to live!
|
|
|
|
Maybe we shouldn't have gotten married at all.
|
|
|
|
Don't let him eat too many strawberries.
|
|
|
|
And don't forget to make him wear his raincoat in London.
|
|
|
|
He had pneumonia once.
|
|
|
|
I feel fine now.
|
|
|
|
Take good care of him.
|
|
|
|
You forgot to pack it.
|
|
|
|
It's the only one they had left.
|
|
I think we can do better after the boat sails.
|
|
|
|
Is it something somebody gave you?
|
|
Let me see it!
|
|
|
|
But it's just something I forgot to pack.
|
|
|
|
Let me see it.
|
|
|
|
I bet it's a going away present.
|
|
|
|
You couldn't get a bigger bed in here though.
|
|
|
|
Wait till you try to turn around.
|
|
|
|
That's not so bad.
|
|
Why there's oceans of room here.
|
|
|
|
Isn't it just beautiful?
|
|
|
|
Do you know that I threw it away?
|
|
I shouldn't have done that.
|
|
|
|
Where is stateroom 504?
|
|
|
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Nice of you to come down.
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|
|
Judge Doolittle sent me.
|
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How do you do?
|
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|
Happy to know you.
|
|
It's a good thing I got here in time.
|
|
You've got just ten minutes.
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|
|
Ten minutes for what?
|
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|
|
Higgins against Higgins goes on the calendar for next week.
|
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That's where you're mistaken.
|
|
I got a continuance for a whole month.
|
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|
You think you did.
|
|
|
|
Why didn't you ask Hornblow about it?
|
|
He gave me his word of honor.
|
|
|
|
Is that what you want me to tell Doolittle?
|
|
|
|
Are you sure that Higgins case is going on next week?
|
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|
Monday morning at nine o'clock.
|
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|
Will you excuse us a minute?
|
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|
You've got lipstick all over your mouth.
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You don't call this a convenience!
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But it's my honeymoon!
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|
And Doolittle knows it's my honeymoon!
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|
There are some things a man just can't do!
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|
|
That Carter thought it was funny!
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And I hope Higgins beats Higgins!
|
|
|
|
They're right in there on the desk.
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It's still sopping wet.
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|
You seem to think I've never done this before.
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It's just that I never have.
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How do you think the table looks?
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Isn't it a little crowded?
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The things that pop up at the last minute!
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I always have been.
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I thought tonight I'd put Miss Doolittle there.
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But a lovely girl!
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And shouldn't they be garnished?
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There's just so much a body can do!
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I'm afraid you put them on too early.
|
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You can stand just so much.
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But you can't do that!
|
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I can't please everybody.
|
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|
I bet you forgot the wine!
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|
Old Granite Puss's favorite brand!
|
|
They'll be here any minute!
|
|
You'd better get dressed!
|
|
|
|
An ultimatum from Annie and this one's final!
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She'll see us through dinner.
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|
I don't see why you have so much trouble with servants.
|
|
Down at the office we get all the help we want.
|
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|
I'd like to change places with you for just one day.
|
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|
I didn't have it.
|
|
Look on the third shelf back of the eye wash.
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|
She and the judge are like corned beef and cabbage.
|
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|
|
Eunice had some sort of date with Carter.
|
|
What could I do?
|
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|
It's practically up there now.
|
|
What's for dinner tonight?
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|
|
Between roast beef and Higgins against Higgins how can we lose?
|
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|
I had a memo from Doolittle today.
|
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|
What did he say?
|
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He said he couldn't have handled it better himself.
|
|
And will I tell Carter!
|
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|
And will we hop the Normandie!
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And will we go places!
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And will we do things!
|
|
Wear the blue one.
|
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|
Pretty nice neck you've got there.
|
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|
|
As nice as Eunice Doolittle's?
|
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|
|
What do I know about Eunice Doolittle's neck?
|
|
I never even noticed she had one.
|
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|
Old Granite Puss will be here any minute.
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We're having roast beef.
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There ain't any more.
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|
We like to think all our cases are important.
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|
I told you to have the ice box fixed.
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|
I'm only speaking metaphorically of course.
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|
I'll get it for you.
|
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|
That's how to keep an old firm young.
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|
I shouldn't think so.
|
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|
|
There isn't any more wine.
|
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|
|
Would you like a stamp?
|
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|
|
You will now retire to arrive at a verdict.
|
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|
|
You skinned him alive.
|
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|
I tore him apart!
|
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|
|
You did a swell job!
|
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|
|
Why didn't they wake me?
|
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|
You can't go in there until you put this on.
|
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|
|
Come in again some time.
|
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|
|
What do you think you're doing holding up traffic?
|
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|
|
What do you think?
|
|
|
|
Do you want to wake that baby!
|
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|
but don't you think he's just beautiful?
|
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|
I hope he grows up to look like you.
|
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|
He has all your features.
|
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|
Just the way yours do when you're happy.
|
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|
He doesn't look happy.
|
|
He looks kind of bored.
|
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|
|
But don't you think he's just beautiful?
|
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|
|
But don't you think he's just beautiful!
|
|
|
|
Be sure you soap his head thoroughly.
|
|
|
|
Look at those shoulders!
|
|
Can I do something Jane?
|
|
|
|
Now look what you've done!
|
|
I almost dropped him!
|
|
|
|
They showed me at the hospital.
|
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|
|
You don't rub the baby dry.
|
|
You just pat him.
|
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|
|
Maybe the water was too hot.
|
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|
|
It was just right.
|
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|
|
Was its 'ittle water too hot for ittie Johnny?
|
|
|
|
Look at the chest on him!
|
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|
|
A touch of colic.
|
|
|
|
He's been crying for five minutes.
|
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|
|
If he were fed on time he wouldn't cry.
|
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|
|
Too bad he has to be fed on a bottle.
|
|
|
|
I haven't heard the baby complain yet.
|
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|
|
John never saw a bottle till he was six months old.
|
|
|
|
I won't say anything.
|
|
|
|
I'll bet it's a summons.
|
|
|
|
He's deposited Ten Dollars.
|
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|
|
I hope it doesn't plunge Doolittle into bankruptcy.
|
|
|
|
Where are we going to put him?
|
|
|
|
Why can't he stay in our room?
|
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|
|
You know he kept you awake last night.
|
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|
|
That's too far from the bedroom.
|
|
|
|
Could I please see you a minute?
|
|
|
|
You mean you don't approve of my having a baby?
|
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|
|
You can have as many babies as you like.
|
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|
|
That's big of you.
|
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|
|
But my business is cooking.
|
|
You get somebody else to wash the diapers.
|
|
|
|
I wish I could go back to the hospital.
|
|
|
|
Did you make a speech?
|
|
|
|
What would I have to say?
|
|
|
|
Did you tell them that funny story you told me yesterday?
|
|
|
|
It wasn't much anyway.
|
|
|
|
Don't say those things!
|
|
Sometimes I get so mad at you I can't see straight.
|
|
|
|
What did you have?
|
|
|
|
Here's some cheese you like.
|
|
And a whole cold chicken staring us right in the face.
|
|
|
|
The trouble with you is you let people step on you!
|
|
|
|
You've forgotten more about law than Carter'll ever know.
|
|
|
|
He knows it too!
|
|
But he takes advantage of you.
|
|
|
|
I wish you'd forget about us.
|
|
|
|
They'd never let you go!
|
|
You're far too valuable!
|
|
|
|
On his hands and knees!
|
|
You don't know Doolittle.
|
|
|
|
I don't want a better one later.
|
|
|
|
You liked the platinum one with the diamonds.
|
|
|
|
I do want that platinum ring!
|
|
And I want a honeymoon on the Normandie!
|
|
You can get them for me!
|
|
But first you've got to get what's coming to you!
|
|
|
|
You think it's easy.
|
|
|
|
He sends for you.
|
|
|
|
You can't talk to him like that though.
|
|
|
|
Have you ever tried?
|
|
|
|
He never asked me to sit down in his life.
|
|
|
|
Well then stand up.
|
|
But don't let him interrupt you.
|
|
|
|
It's easy to do here in the kitchen.
|
|
|
|
You're not asking a favor of him.
|
|
You're demanding your rights.
|
|
|
|
I hate to think what he'll say!
|
|
|
|
That's a good idea.
|
|
|
|
One of these days is tomorrow.
|
|
|
|
Tomorrow morning at ten o'clock.
|
|
|
|
There's no time like the present.
|
|
|
|
Judge Doolittle is in.
|
|
|
|
You're just the one I wanted to see.
|
|
|
|
You've been doing mighty good work lately.
|
|
|
|
Some of our biggest clients are affected.
|
|
They all complain they're practically working for the Government.
|
|
|
|
Naturally we have to do something about it.
|
|
|
|
These are days of sacrifice!
|
|
|
|
What time is it?
|
|
|
|
If you know the time why do you ask me?
|
|
What difference does it make what time it is?
|
|
|
|
Are you sure you're comfortable?
|
|
|
|
Certainly I'm sure I'm comfortable!
|
|
|
|
Can I help you?
|
|
|
|
I don't need any help!
|
|
|
|
How do I feel?
|
|
You'd think I committed some sort of crime!
|
|
You'd think I was on the witness stand!
|
|
Why didn't I call you back?
|
|
Why didn't I come home for supper?
|
|
|
|
I'll always let you down!
|
|
|
|
It was my fault for interfering.
|
|
|
|
I've got a good lawyer.
|
|
|
|
If you want something you gotta go get it.
|
|
|
|
I've been all over town.
|
|
|
|
Who says I'm looking for a job?
|
|
|
|
You're worth your weight in gold.
|
|
|
|
That's a lot of gold.
|
|
|
|
I knows I'm a luxury.
|
|
|
|
Is the head better?
|
|
|
|
I'll make such a mess of things without you.
|
|
|
|
I wish it were as simple as that.
|
|
|
|
You got your watermelon.
|
|
All I say is "Spit 'em out!
|
|
|
|
Are you sure Carter has our telephone number?
|
|
|
|
If he hasn't he certainly has a telephone book.
|
|
|
|
Then why do you suppose he hasn't at least called up?
|
|
|
|
Perhaps he forgot all about it.
|
|
|
|
Maybe we ought to go join him at the party.
|
|
|
|
Isn't the party also to announce his engagement to Eunice Doolittle?
|
|
|
|
How could it be awkward?
|
|
|
|
Let's call him up!
|
|
|
|
Why should it be awkward?
|
|
|
|
They say at Carter's house he left two hours ago.
|
|
We'd better forget it.
|
|
|
|
The baby definitely has the sniffles.
|
|
|
|
He's had sniffles all day.
|
|
|
|
That's when he caught your cold.
|
|
|
|
He had no temperature.
|
|
|
|
I suppose I ought to stay in my room all day!
|
|
|
|
You don't have to do anything of the kind!
|
|
|
|
It's just like any other day as far as I'm concerned.
|
|
|
|
I want to leave this with you.
|
|
|
|
Happy New Year to you all!
|
|
|
|
Happy New Year to you!
|
|
|
|
Have a good time.
|
|
|
|
We'll stay right here and celebrate.
|
|
|
|
That doesn't say much for mine.
|
|
|
|
It takes time of course.
|
|
|
|
Times are different now.
|
|
|
|
I'm sure I don't know what you're talking about!
|
|
|
|
Oh yes you do!
|
|
You've resented me from the first moment you saw me!
|
|
You resented me because you wanted Johnny to marry Eunice Doolittle!
|
|
|
|
You've hinted it often enough!
|
|
|
|
I've done nothing of the sort!
|
|
But they were engaged.
|
|
|
|
I can't understand why she's so touchy about it.
|
|
|
|
That's why you hate me!
|
|
|
|
For crying out loud!
|
|
What's the matter with you two?
|
|
|
|
Nothing's the matter with me!
|
|
|
|
It's not my house!
|
|
|
|
I do the best I can to help!
|
|
|
|
I'm the stranger around here!
|
|
Everything I say is wrong!
|
|
Everything I do is wrong!
|
|
|
|
You said it to me too!
|
|
|
|
Why can't you get along with her?
|
|
|
|
Why can't she get along with me?
|
|
Because she hates me!
|
|
|
|
You can only spit out so many seeds!
|
|
|
|
Anywhere to get away from that wrangling.
|
|
|
|
You don't have to apologize.
|
|
|
|
You go along and have a good time.
|
|
|
|
You're sure you don't mind?
|
|
|
|
But we've never had any real trouble.
|
|
|
|
And about you too!
|
|
I'd die for either of you.
|
|
|
|
At least we've finally got something we can celebrate.
|
|
|
|
C'mon over and join our party.
|
|
|
|
Something's the matter with the baby!
|
|
|
|
Come into the office a minute.
|
|
|
|
You'd better get your wife.
|
|
|
|
And I'm sorry to say that the congestion is increasing.
|
|
We must get some of that serum as soon as possible.
|
|
I'm going to check up on that right away.
|
|
|
|
All the type 9 serum has been sent to Salt Lake.
|
|
Why don't you try Johns Hopkins in Baltimore?
|
|
|
|
I've got to see Judge Doolittle right away!
|
|
|
|
At this hour of the morning?
|
|
|
|
You'll have to wake him up!
|
|
|
|
I've got to see him!
|
|
|
|
Never heard of such a thing!
|
|
|
|
Can't you understand that?
|
|
|
|
It'd be too late.
|
|
|
|
Get me my check book!
|
|
|
|
And get me a pen!
|
|
One that will write!
|
|
And find out where the nearest telegraph office is!
|
|
|
|
Let me talk to him.
|
|
|
|
I can't let you have my plane.
|
|
|
|
I think you're crazy.
|
|
|
|
May I go in and see him?
|
|
|
|
Why don't you want me to see him?
|
|
|
|
Then why don't you want me to see him?
|
|
|
|
The baby's worse; that's why you ordered the oxygen.
|
|
|
|
The oxygen's only to help him till the serum gets here.
|
|
|
|
You're lying to me!
|
|
|
|
Will you do that for me?
|
|
|
|
Please don't make me!
|
|
|
|
When can I see him?
|
|
|
|
In a little while.
|
|
|
|
But you mustn't feel that way.
|
|
|
|
Do you know when you're really lonely?
|
|
|
|
Denver calling Commercial NC 24.
|
|
|
|
Can't you read me?
|
|
|
|
Still can't contact Conway.
|
|
Storm increasing over the Rockies.
|
|
|
|
Stand by to contact Conway.
|
|
|
|
Do you read me?
|
|
|
|
Conway can you read me?
|
|
|
|
Will you help me?
|
|
|
|
We had to rush down the minute it happened!
|
|
|
|
The baby can TALK!
|
|
|
|
They don't believe us!
|
|
|
|
I've got a mother and two kid sisters to .
|
|
|
|
More good luck telegrams.
|
|
|
|
I was sent down here to clean house.
|
|
I told yuh I can't use your column any more.
|
|
It's lavender and old lace!
|
|
|
|
Send those other people in.
|
|
|
|
I'll tell you what I'll do.
|
|
I get thirty dollars a week.
|
|
I'll do anything you say.
|
|
|
|
It isn't the money.
|
|
What we need is fireworks.
|
|
People who can hit with sledge hammers—start arguments.
|
|
|
|
Cashier's got your check.
|
|
Who are these people?
|
|
|
|
Norton buys a paper—and forty heads are chopped off!
|
|
|
|
why don't we tear the building down!
|
|
|
|
Lavender and old lace!
|
|
|
|
"Below is a letter which reached my desk this morning.
|
|
It's a commentary on what we laughingly call the civilized world.
|
|
Since then I haven't been able to get another one.
|
|
|
|
Norton's opening attack on the Governor!
|
|
|
|
I can smell it.
|
|
|
|
You're here rather early.
|
|
|
|
I had it served with my breakfast this morning.
|
|
|
|
Jim thinks it's D.
|
|
|
|
Of course it is!
|
|
|
|
Norton does things in a much bigger way .
|
|
|
|
Take my word for it!
|
|
What did he buy a paper for?
|
|
|
|
and if you ask me that's a phoney letter.
|
|
|
|
It's a terrible reflection on our city.
|
|
I've had a dozen calls already.
|
|
|
|
Spencer of the Chronicle .
|
|
|
|
If something isn't done.
|
|
|
|
it's my building he's jumping off of!
|
|
|
|
Get Connell at the Bulletin !
|
|
|
|
Something just flew by!
|
|
|
|
I didn't see anything.
|
|
|
|
Is there a crowd in the street?
|
|
|
|
Then he may be caught on a ledge!
|
|
|
|
This is the Mayor.
|
|
|
|
How many times are you gonna call me?
|
|
|
|
"An appeal to John Doe.
|
|
.'" " and so forth and so forth .
|
|
I'll let you know as soon as I have something!
|
|
|
|
She supports a mother and two kids.
|
|
|
|
Her mother's awful worried about her.
|
|
|
|
Go out and find her!
|
|
|
|
Her old man was Doc Mitchell.
|
|
|
|
Here it is again.
|
|
|
|
ever walked into this office.
|
|
|
|
Did you want to see me?
|
|
|
|
And I'd like to have it!
|
|
|
|
The letter from John Doe.
|
|
|
|
The whole town's in an uproar.
|
|
We've got to find him.
|
|
The letter's our only clue.
|
|
|
|
There is no letter.
|
|
|
|
You said you wanted fireworks.
|
|
|
|
Don't you know there are nine jobs waiting for this guy?
|
|
|
|
Drop the whole business quickly.
|
|
|
|
I'll have Ned write it up.
|
|
|
|
Suppose there was a John Doe—and he walked into this office.
|
|
What would you do?
|
|
|
|
He finds the world has feet of clay.
|
|
So what does he do?
|
|
|
|
But would you mind telling me who goes on Christmas Eve?
|
|
|
|
Lemme get this through this lame brain of mine.
|
|
|
|
Any time but Christmas.
|
|
|
|
You're supposed to be a smart guy!
|
|
|
|
Wasting my time listening to this mad woman.
|
|
|
|
Look what the Chronicle is running on John Doe.
|
|
They say it's a fake!
|
|
|
|
Get a load of this.
|
|
|
|
What do they want?
|
|
|
|
They all say they wrote the John Doe letter.
|
|
|
|
Tell them all to wait.
|
|
|
|
They're desperate and will do anything for a cup of coffee.
|
|
|
|
I'm beginning to like this.
|
|
|
|
We can't let the Chronicle get the laugh on us!
|
|
We've got to produce a John Doe now.
|
|
I'll show those guys.
|
|
|
|
Now let's take a look at the candidates.
|
|
The one we pick has gotta be the typical average man.
|
|
Typical American that can keep his mouth shut.
|
|
|
|
Did you write that letter to Miss Mitchell?
|
|
|
|
What are you doing up here then?
|
|
|
|
Thought there might be one left over.
|
|
|
|
What do you do when you work?
|
|
|
|
I used to pitch.
|
|
|
|
Till my wing[4] went bad.
|
|
|
|
Bush leagues mostly.[5] Med.
|
|
They have their eyes glued on his face.
|
|
ANN is very much interested.
|
|
|
|
Me and a friend of mine.
|
|
|
|
What could be more American!
|
|
|
|
Be less complicated without a family.
|
|
|
|
Look at that face.
|
|
They'll believe him .
|
|
|
|
He don't seem like a guy that'd fall into line.
|
|
|
|
Get some water quickly!
|
|
|
|
Trying to improve the world by jumping off buildings.
|
|
You couldn't improve the world if the building jumped on you!
|
|
|
|
Don't mind the Colonel.
|
|
|
|
He likes you well enough to stick around.
|
|
|
|
I haven't been able to shake him since.
|
|
|
|
This man's going to jump as a matter of principle.
|
|
|
|
We'll make a mystery out of him.
|
|
Did you speak to Mr. Norton?
|
|
|
|
Says for us to go the limit.
|
|
|
|
Is that the contract?
|
|
|
|
What's he doing here?
|
|
|
|
They play duets together.
|
|
|
|
But can we trust him?
|
|
|
|
I got it all ready.
|
|
|
|
Now I want you to sign this agreement.
|
|
|
|
Take charge of him.
|
|
Get him a suite at the Imperial and hire some bodyguards.
|
|
|
|
But don't let him out of your sight.
|
|
|
|
Start pounding that typewriter.
|
|
|
|
You two fellas sit in here.
|
|
|
|
You ain't gonna get me to stay here.
|
|
|
|
I tell you—it's no good.
|
|
And don't pull that on me neither!
|
|
|
|
I'm gonna get my arm fixed out of this.
|
|
|
|
Here's some cigars the boss sent up.
|
|
|
|
I've seen guys like you go under before.
|
|
Guys that never had a worry.
|
|
Then they got ahold of some dough and went goofy.
|
|
|
|
The next thing the dope wants is a room.
|
|
|
|
Fifty bucks ain't going to ruin me.
|
|
|
|
There's the City Hall tower I'm supposed to jump off of.
|
|
It's even higher than this.
|
|
|
|
Who'd you say was gonna get him?
|
|
|
|
Just use the phone.
|
|
|
|
I've always wanted to do this!
|
|
|
|
Who's gonna get him?
|
|
|
|
They begin creeping up on you—trying to sell you something.
|
|
|
|
And a million and one other things.
|
|
You're not the free and happy guy you used to be.
|
|
|
|
Go on out and get rid of it.
|
|
|
|
You bet I will!
|
|
As fast as I can!
|
|
|
|
Get me a pitcher's glove!
|
|
Got to get some practice.
|
|
|
|
I'm gonna get me some of that!
|
|
|
|
If it isn't the man about town!
|
|
|
|
We want some action in these pictures.
|
|
|
|
This man's going to jump off a roof.
|
|
|
|
Let me comb your hair.
|
|
|
|
I'm feeling too good.
|
|
|
|
You're a man disgusted with all of civilization.
|
|
|
|
With all of it?
|
|
|
|
You don't have to smell the world!
|
|
|
|
Never mind those guys.
|
|
Now let's see what you look like when you protest.
|
|
|
|
I don't care whose picture they're publishing.
|
|
I still say that this John Doe person is a myth.
|
|
And you can quote me on that.
|
|
And I'm going to insist on his being produced for questioning.
|
|
|
|
You should see his fan mail!
|
|
|
|
It's doubled our circulation.
|
|
|
|
She'll drive you batty!
|
|
|
|
This can arouse national interest!
|
|
|
|
Go down to the office and arrange for some radio time.
|
|
|
|
I want it as soon as possible.
|
|
|
|
I want to talk to you.
|
|
|
|
How much money do you get?
|
|
|
|
That's only the beginning.
|
|
|
|
How do you do!
|
|
|
|
I'll give you a break.
|
|
See that Miss Mitchell gets a car to take her home.
|
|
|
|
Thank you very much for everything.
|
|
|
|
I thought you were asleep!
|
|
|
|
I said good night!
|
|
|
|
It's past your bedtime.
|
|
|
|
Stick a fork through me!
|
|
I'll never get this speech right.
|
|
|
|
What are you looking for?
|
|
|
|
I need ten dollars.
|
|
|
|
I gave you fifty just the other day.
|
|
|
|
Who's the ten for?
|
|
|
|
I thought I'd buy them some groceries.
|
|
|
|
You're just like Father used to be.
|
|
|
|
We owed everybody in town.
|
|
|
|
I guess I'm just upset about all this.
|
|
|
|
Do you mean the speech you're writing?
|
|
|
|
I simply can't get it to jell!
|
|
|
|
Wait a minute .
|
|
|
|
I never knew he had a diary.
|
|
|
|
John Doe don't wanta sign no autographs.
|
|
|
|
What does he do all day?
|
|
|
|
you can't see Mr. Doe.
|
|
He wants to be alone.
|
|
|
|
The first baseman dropped the ball.
|
|
|
|
Did you get him?
|
|
|
|
What's this—the end of the eighth?
|
|
|
|
Three to two—our favor.
|
|
|
|
You've got swell form.
|
|
Must have been a pretty good pitcher.
|
|
|
|
And he came down after the game with a contract.
|
|
Do you know what?
|
|
|
|
What are they gonna think about you?
|
|
Close shot: Of the COLONEL.
|
|
|
|
I gotta figure some way out of this thing!
|
|
|
|
The elevators are still runnin'.
|
|
|
|
I know one way you can do it.
|
|
|
|
Make you a hero sure as you're born!
|
|
|
|
And he gets it right away.
|
|
You don't have to wait till Christmas.
|
|
|
|
They're closing in on you!
|
|
|
|
Feller runs the Chronicle .
|
|
|
|
I can see the heelots comin'.
|
|
The whole army of them!
|
|
|
|
It's on the level.
|
|
|
|
Tickets for the broadcast are all gone.
|
|
|
|
No more tickets left.
|
|
|
|
All set for the big night?
|
|
|
|
You won't have any trouble reading it.
|
|
|
|
The one in there.
|
|
|
|
It picks up on the mike!
|
|
|
|
All you have to remember is to be sincere.
|
|
|
|
We want you to know that we're all for you.
|
|
|
|
Mr. Doe can't be bothered now.
|
|
|
|
Have you got the speech I gave you?
|
|
|
|
I've actually fallen in love with him.
|
|
|
|
Now that's too much!
|
|
|
|
If that guy lays an egg.
|
|
I want to get something out of it.
|
|
I'm getting a Jane Doe ready!
|
|
|
|
I need one more.
|
|
|
|
A half a heelot!
|
|
|
|
Symbols of the little people.
|
|
|
|
The man's on the air!
|
|
|
|
One minute to go!
|
|
|
|
Hey—what do you say?
|
|
|
|
There's the door right there.
|
|
|
|
That's what I'd like to know!
|
|
|
|
I'll be right over there pulling for you.
|
|
|
|
Phone the Chronicle .
|
|
Tell 'em to start getting those extras out.
|
|
|
|
Tonight we give you something entirely new and different.
|
|
|
|
They don't like those articles I've been writing.
|
|
|
|
That's a pack of lies you're telling!
|
|
|
|
Who wrote that speech for you?
|
|
|
|
The speech will continue.
|
|
|
|
I'm not gonna talk about them.
|
|
|
|
He's Mr. Big and Mr. Small.
|
|
He's simple and he's wise.
|
|
|
|
He's the man the ads are written for.
|
|
He's the fella everybody sells things to.
|
|
You'll find us everywhere.
|
|
|
|
Didn't you read it?
|
|
|
|
We've existed since time began.
|
|
|
|
Because we're the people —and we're tough!
|
|
|
|
That's a lot of hooey!
|
|
|
|
But we've all got to get in there and pitch!
|
|
|
|
It's no miracle because I see it happen once every year.
|
|
And so do you.
|
|
|
|
You'd better start right now.
|
|
Don't wait till the game is called on account of darkness!
|
|
You're the hope of the world!
|
|
|
|
I knew you'd wake up sooner or later!
|
|
|
|
I had that five thousand bucks sewed up!
|
|
Could have been on my way to old Doc Brown!
|
|
|
|
It's lucky you got away from her.
|
|
|
|
Tear down all the fences.
|
|
|
|
That man is terrific!
|
|
|
|
Jitterbugs.[9] Close shot: JOHN and the COLONEL.
|
|
|
|
Glad he took the "T" out of that.
|
|
|
|
Join the John Doe Club.
|
|
|
|
Are you John Doe?
|
|
|
|
I'd know that voice anywhere.
|
|
You can't kid me!
|
|
|
|
Who'd you say it was?
|
|
|
|
The big guy there!
|
|
Picture's in the paper!
|
|
|
|
You didn't vote for me the last time.
|
|
Shame on you—get off my front porch!
|
|
Mr. Norton come yet?
|
|
|
|
Better let me talk to him.
|
|
|
|
Your office telephoned me to hold him.
|
|
|
|
He's right in my office there.
|
|
Tell them Mr. Norton is here.
|
|
Make room for Mr. Norton.
|
|
The neighbors are serving him a light lunch.
|
|
|
|
Don't argue with me here.
|
|
Wait till we get home.
|
|
|
|
Don't you push me around like that!
|
|
|
|
Something terribly important's happened.
|
|
They're forming John Doe Clubs.
|
|
|
|
He wants to send you on a lecture tour.
|
|
|
|
I don't want any part of this thing.
|
|
|
|
I just got rid of one crowd.
|
|
|
|
Let them come in.
|
|
|
|
There are snickers from the background.
|
|
|
|
What a reception they got.
|
|
|
|
And he gave you that five dollar raise.
|
|
|
|
I'd like to join but nobody asked me.
|
|
|
|
Just the John Does of the neighborhood.
|
|
Cause you know how politicians are.
|
|
|
|
I never had any such idea.
|
|
She wrote the stuff.
|
|
|
|
Don't you see what a wonderful thing this can be?
|
|
|
|
I can see that right now.
|
|
|
|
Then it was the radio.
|
|
And now it's the John Doe clubs.
|
|
|
|
I don't want to take any chances.
|
|
|
|
Your crew will do the mop up job.
|
|
|
|
There are only eight flags up there now.
|
|
I want to see that map covered before we get through!
|
|
|
|
This has been growing like wildfire!
|
|
|
|
People are going off relief!
|
|
|
|
Thirty every Thursday—sixty at sixty—who knows what!
|
|
|
|
they just won't let anybody talk politics to them.
|
|
|
|
We've got to get to them!
|
|
They represent millions of voters!
|
|
|
|
I'd hate to have that many pins stuck in me!
|
|
|
|
This John Doe convention is a natural.
|
|
It's gonna put our city on the map.
|
|
Can you imagine that?
|
|
And—don't wear your high hat!
|
|
|
|
Everything'll be taken care of!
|
|
|
|
Isn't it all too wonderful?
|
|
|
|
Will you ladies get close to him?
|
|
|
|
I'm supposed to know my way around.
|
|
This John Doe movement costs you a fortune.
|
|
This convention's gonna cost plenty.
|
|
|
|
Where do you come in?
|
|
|
|
I think maybe you'd better.
|
|
|
|
I'd better hustle him up!
|
|
|
|
He'll be ready on time.
|
|
|
|
Did you see his picture on the cover of Time ?
|
|
|
|
I've handled a good many big promotions in my time .
|
|
And now a John Doe Convention!
|
|
|
|
What do you make of him?
|
|
|
|
He's nuts about you.
|
|
|
|
You left out number five.
|
|
|
|
Can I help you pack?
|
|
|
|
Do you care if I sit down out here?
|
|
|
|
It was about you.
|
|
|
|
I dreamt I was your father.
|
|
|
|
You know how dreams are.
|
|
|
|
And there you were in bed.
|
|
But you—you were a little girl.
|
|
|
|
And the nightgown had changed into a beautiful wedding gown.
|
|
|
|
It was a fella that sends you flowers every day.
|
|
|
|
But here's the funniest part of it all.
|
|
I was the fella up there doing the marrying.
|
|
|
|
I thought you were chasing me?
|
|
|
|
The man you marry has got to swim rivers for you!
|
|
|
|
There's a bunch of autograph seekers out front.
|
|
We'll be down with the bags in a minute.
|
|
Don't make a government project out of this!
|
|
|
|
When does our plane take off again.
|
|
|
|
In a couple of minutes.
|
|
|
|
About three hundred thousand.
|
|
|
|
I've been trying to figure it out.
|
|
|
|
Maybe they're like me.
|
|
Just beginning to get an idea what those things mean.
|
|
|
|
They were always just somebody to fill up the bleachers.
|
|
I could see something in their faces.
|
|
I could feel that they were hungry for something.
|
|
Do you know what I mean?
|
|
|
|
Maybe that's why they came.
|
|
I know how they feel.
|
|
I've been lonely and hungry for something practically all my life.
|
|
|
|
And this is your coat.
|
|
|
|
A little token of appreciation.
|
|
|
|
Well—I don't quite know what to say .
|
|
|
|
And a new contract goes with it.
|
|
|
|
You've got something on your mind.
|
|
|
|
The John Doe Party.
|
|
|
|
He will also announce the third party's candidate for the presidency.
|
|
A great humanitarian; the best friend the John Does have.
|
|
|
|
It is still a phenomenal movement.
|
|
|
|
This is John B.
|
|
|
|
It's good to see you.
|
|
|
|
It's for Ann .
|
|
|
|
I'm terribly sorry she isn't here.
|
|
|
|
I'm surprised you didn't run into her.
|
|
She went over to Mr. Norton's house.
|
|
|
|
Did you want to see her about something important?
|
|
|
|
I'm afraid I might have wet the couch a little.
|
|
|
|
I'll see that she gets the flowers.
|
|
|
|
I guess you must think I'm kinda batty!
|
|
|
|
My husband said: "I love you.
|
|
|
|
That's what I mean.
|
|
|
|
I bet you he'd know how to say it all right.
|
|
|
|
Go ahead and have your dinner.
|
|
|
|
I get more of a kick out of it that way.
|
|
|
|
That's exactly what I thought.
|
|
There's a copy on my desk.
|
|
|
|
And we'll be at Jim's Bar up the street.
|
|
|
|
I like gentle people.
|
|
I'm hard—hard and tough.
|
|
Gotta be gentle to suit me.
|
|
|
|
But you want to know something?
|
|
I've got a weakness.
|
|
Want to know what it is?
|
|
|
|
The Star Spangled Banner.
|
|
But play the "Star Spangled Banner"—and I'm a sucker for it.
|
|
It always gets me right here— You know what I mean?
|
|
|
|
Must have been a kid.
|
|
|
|
I was just ripe.
|
|
Know what my old man did when I joined up?
|
|
He joined up too.
|
|
|
|
Got to be a sergeant.
|
|
|
|
We were in the same outfit.
|
|
|
|
I saw him get it.
|
|
I was right there and saw it with my own eyes.
|
|
|
|
I came out of it without a scratch.
|
|
Except for my ulcers.
|
|
Should be drinking milk.
|
|
|
|
I'm a sucker for this country.
|
|
|
|
And when they do I get mad!
|
|
|
|
And a guy named Jefferson—and Lincoln.
|
|
Lighthouses in a foggy world!
|
|
|
|
But that's what you're doing.
|
|
|
|
I'm not talking about his grandfather's pet poodle!
|
|
|
|
I don't blame you.
|
|
|
|
It's a beautiful miracle.
|
|
And I think it's terrific!
|
|
What do you think of that!
|
|
I think it's plenty terrific!
|
|
|
|
What would you say about that?
|
|
|
|
They can't use the John Doe Clubs for politics.
|
|
That's the main idea.
|
|
|
|
Then what's a big political boss like Hammett doing in town?
|
|
And a labor leader like Bennett?
|
|
B.'s house right now?
|
|
|
|
Who do you think writes 'em?
|
|
I know she writes them.
|
|
|
|
A mink coat and a diamond bracelet.
|
|
|
|
Better bring me a glass of milk.
|
|
|
|
I'm smoking too much.
|
|
|
|
You've got everything all set?
|
|
Has John Doe been taken care of?
|
|
How many people do you think will be there?
|
|
|
|
My boys are there.
|
|
They'll take care of it.
|
|
|
|
You can count on me under one condition.
|
|
Little Bennett's gotta be taken care of!
|
|
|
|
My agreement with you gentlemen stands!
|
|
|
|
We're coming to a new order of things.
|
|
There's been too much talk going on in this country.
|
|
|
|
Too many concessions have been made!
|
|
What the American people need is an iron hand!
|
|
|
|
Miss Mitchell has something to say to us.
|
|
|
|
I'm so glad to see you.
|
|
I—I was terribly worried.
|
|
|
|
But I—I had no idea what was going on.
|
|
|
|
That's a swell bracelet you're wearing.
|
|
|
|
John— Why aren't you at the convention?
|
|
|
|
Is there anything wrong?
|
|
|
|
That's rather big talk!
|
|
|
|
You're through deciding anything!
|
|
|
|
And I'll say it in my own words this time.
|
|
|
|
You've got a nerve accusing people of things!
|
|
|
|
You bet your bottom dollar we would!
|
|
|
|
I guess I've seen everything now.
|
|
|
|
But I'm beginning to understand a lot of things.
|
|
|
|
Get the Bulletin !
|
|
|
|
you're playing with dynamite!
|
|
|
|
Don't let that girl get away!
|
|
|
|
Before he gets through tonight he'll ruin us all!
|
|
|
|
I'll stop him cold!
|
|
|
|
Mr. Norton wants to see you.
|
|
|
|
I want them both arrested.
|
|
You tell the police department to pick up Connell.
|
|
I've got the girl here.
|
|
|
|
I've got the Bulletin !
|
|
|
|
I don't care what you charge them with!
|
|
|
|
Three cheers for John Doe!
|
|
|
|
We begin with a short prayer.
|
|
|
|
many of whom are homeless and hungry.
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John Doe a fake!
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John Doe movement a racket!
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Hundreds of yelling newsboys are swarming into the park like locusts!
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How could he be a fake?
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It must be some kind of a gag.
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Wait for the signal!
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Don't listen to that man!
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Everybody wait a minute!
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My name is D.
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you all know me!
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I accuse this man of being a faker!
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We've been taken for a lot of suckers!
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And I'm the biggest of the lot!
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And now I find out it's nothing but a cheap racket!
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It's not a lie!
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To stuff into their own pockets!
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You can read all about it in the newspapers there!
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Listen—don't believe what he says .
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That's got nothing to do with it!
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Were you paid for it—or weren't you?
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What difference does that make?
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Did you write it—or didn't you?
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The rest of you get in here and riot!
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Break this crowd up!
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John Doe's a fake!
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Something's gone wrong with the loudspeaker.
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The thing's not working!
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We don't have to give up our club.
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They're starting to throw things!
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Somebody's going to get hurt!
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I'm afraid it'll be John Doe.
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Listen to that mob!
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I've got to go to him!
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Let me go to him!
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I can help him!
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We got orders to hold you.
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Can't they see it's a frameup?
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They won't let me go!
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Stick to your clubs!
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We've been fed baloney so long we're getting used to it!
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The idea is still good!
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You're the hope of the world .
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The police finally manage to get him out of the park!
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I should have been there.
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I could have helped him.
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He was so all alone!
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We certainly didn't give that man much of a chance.
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Why don't you jump!
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Christmas Eve at midnight!
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Christmas Eve at midnight?
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Is that screwball still around?
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Oh—they're laughing at me!
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You'd better take it easy.
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Whom are you calling now?
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You called that number not ten minutes ago!
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Have you seen him yet?
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That man is gonna be on that roof.
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Don't ask me how I know.
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And you know it as well as I do.
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I don't think he was any fake—not with that face.
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Has he been here?
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Have you seen him?
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I ain't seen him for a week.
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He's watching the other door.
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No sense in going up there!
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I been here for hours.
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This is as far as the elevator goes.
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We've got to walk up to the tower.
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I've got to decorate my tree.
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I'm afraid the joke's on us.
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I hope nobody finds out we've been here.
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It'll do you no good.
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I've already mailed a copy of this letter to Mr. Connell.
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I'm glad you gentlemen are here.
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I won't let you.
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It isn't too late.
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The John Doe movement isn't dead yet.
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But we can start clean now.
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Just you and I.
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They're calling to us—not to give up—but to keep on fighting!
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To keep on pitching!
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This is no time to give up!
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We just lost our heads and acted like a mob.
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Only—only it'll be a lot easier with you.
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Try and lick that!
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